Verdict:Everything, Nothing and Something Else is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Comedy, Drama genre.
Answer: Maybe not, Everything, Nothing and Something Else is likely a skip if you enjoy Comedy movies.
It features a runtime of 80 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2020, Everything, Nothing and Something Else emerges as a significant entry in the Comedy, Drama domain. The narrative core of the film focuses on a sophisticated exploration of Nine real stories set in a taxi. Unlike standard genre fare, Everything, Nothing and Something Else attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Marina Kondratieva, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and Everything, Nothing and Something Else features a noteworthy lineup led by Denys Hranchak. Supported by the likes of Tatiana Ignashkina and Yurii Kondratiev, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Denys Hranchak, Tatiana Ignashkina, Yurii Kondratiev manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2020 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy, Drama space.
From a technical perspective, Everything, Nothing and Something Else is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Everything, Nothing and Something Else follows a sophisticated brisk pace. Over its 80 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Everything, Nothing and Something Else resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Everything, Nothing and Something Else is more than just its synopsis. It is an inquiry into the boundaries of human experience. Nine real stories set in a taxi. A taxi driver on his first day of work has a priest who speaks to him about God. And then there's an accident. Dream or reality? He will live and participate in the lives of his passengers in his own way. Stories of life and death, humanity and chaos. Filmed on the streets of Kyiv, the capital of Ukraine.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Everything, Nothing and Something Else (2020) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Comedy, Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Denys Hranchak, Tatiana Ignashkina, Yurii Kondratiev or the visual majesty of its technical execution, Everything, Nothing and Something Else is a significant contribution to the cinema of 2020. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Go3Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Everything, Nothing and Something Else stands as a challenging project for the creators. It remains an essential piece of the 2020 cinematic year.
Everything, Nothing and Something Else is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Everything, Nothing and Something Else may not be worth watching unless you are a die-hard fan.
Everything, Nothing and Something Else is currently available for streaming on Go3. You can also check for it on platforms like Go3 depending on your region.
Nine real stories set in a taxi. A taxi driver on his first day of work has a priest who speaks to him about God. And then there's an accident. Dream or reality? He will live and participate in the lives of his passengers in his own way. Stories of life and death, humanity and chaos. Filmed on the streets of Kyiv, the capital of Ukraine.