Is Extremes Worth Watching?
Answer: Maybe not, Extremes is likely a skip if you enjoy Documentary movies.
It features a runtime of 82 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Extremes is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Documentary genre.
Answer: Maybe not, Extremes is likely a skip if you enjoy Documentary movies.
It features a runtime of 82 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1971, Extremes emerges as a significant entry in the Documentary domain. The narrative core of the film focuses on a sophisticated exploration of "EXTREMES" covers the whole gamut of present day human behaviour, from carefree pop fans bathing nude at the Isle of Wight to withdrawn, pathetic junkies hastening their own deaths with hard drugs. Unlike standard genre fare, Extremes attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Tony Klinger, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Documentary elements serve the larger narrative arc rather than just providing spectacle.
The success of any Documentary is often anchored by its ensemble, and Extremes features a noteworthy lineup led by Anthony Klinger. Supported by the likes of Rick Davies and Frank Farrell, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Anthony Klinger, Rick Davies, Frank Farrell manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1971 cinema, these performances stand as a testament to the evolving standards of acting within the Documentary space.
From a technical perspective, Extremes is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Extremes follows a sophisticated brisk pace. Over its 82 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Extremes resonates with contemporary social and cultural themes prevalent in the Documentary landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Extremes is more than just its synopsis. It is an inquiry into the boundaries of human experience. "EXTREMES" covers the whole gamut of present day human behaviour, from carefree pop fans bathing nude at the Isle of Wight to withdrawn, pathetic junkies hastening their own deaths with hard drugs. Such is the range encompassed by the so-called "permissive society", doubly significant because it usually involves young people who have either never known discipline or are rebelling against an overdose of it. They can't change society so they have no alternative but to drop out from it. In some of the most natural and remarkable film footage ever obtained, Tony Klinger and Michael Lytton have captured a unique cross-section of them going their chosen ways, and talking freely and frankly about doing so. Nothing was pre-arranged, nothing rehearsed: everything was filmed as it happened. Hippies, homosexuals, junkies, Hell's Angels, alcoholics, drop-outs - all fall into the category of nonconformist minorities.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Extremes (1971) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Documentary categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Anthony Klinger, Rick Davies, Frank Farrell or the visual majesty of its technical execution, Extremes is a significant contribution to the cinema of 1971. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
BFI PlayerAnalyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Extremes stands as a challenging project for the creators. It remains an essential piece of the 1971 cinematic year.
Extremes is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Extremes may not be worth watching unless you are a die-hard fan.
Extremes may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
"EXTREMES" covers the whole gamut of present day human behaviour, from carefree pop fans bathing nude at the Isle of Wight to withdrawn, pathetic junkies hastening their own deaths with hard drugs. Such is the range encompassed by the so-called "permissive society", doubly significant because it usually involves young people who have either never known discipline or are rebelling against an overdose of it. They can't change society so they have no alternative but to drop out from it. In some of the most natural and remarkable film footage ever obtained, Tony Klinger and Michael Lytton have captured a unique cross-section of them going their chosen ways, and talking freely and frankly about doing so. Nothing was pre-arranged, nothing rehearsed: everything was filmed as it happened. Hippies, homosexuals, junkies, Hell's Angels, alcoholics, drop-outs - all fall into the category of nonconformist minorities.