Performance & Direction: First Contact Review
Last updated: February 4, 2026
Quick Verdict: Hit or Flop?
Is First Contact (1982) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.8/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Documentary.
Cast Performances: A Masterclass
The success of any Documentary is often anchored by its ensemble, and First Contact features a noteworthy lineup led by Michael Leahy . Supported by the likes of Daniel Leahy and James Leahy , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: First Contact
Quick Plot Summary: First Contact is a Documentary film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: First Contact
Ending Breakdown: First Contact concludes its story with a mix of closure and open interpretation. The finale presents its approach to documentary resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the documentary themes established throughout the runtime.
The final moments of First Contact reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
First Contact Real vs. Reel: Is it Based on a True Story?
First Contact uses real-world events as narrative inspiration. As a documentary film, it navigates the space between factual accuracy and narrative engagement.
Historical Context
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: First Contact adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Who Should Watch First Contact?
Worth Watching If You:
- Enjoy Documentaries films and don't mind familiar tropes
- Are a fan of the cast or director
- Want solid genre entertainment
Top Cast: First Contact
All Cast & Crew →Where to Watch First Contact Online?
Streaming HubFirst Contact Parents Guide & Age Rating
1982 AdvisoryWondering about First Contact age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of First Contact is 58 minutes (58m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.8/10, and global performance metrics, First Contact is classified as a HIT. It remains an essential part of the 1982 cinematic calendar.
Frequently Asked Questions
Is First Contact worth watching?
First Contact is definitely worth watching if you enjoy Documentary movies. It has a verified rating of 6.8/10 and stands as a HIT in our box office analysis.
Where can I find First Contact parents guide and age rating?
The official parents guide for First Contact identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of First Contact?
The total duration of First Contact is 58 minutes, which is approximately 0h 58m long.
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How First Contact Compares & Where it Ranks
Critic Reviews for First Contact
The opening few quotes of this documentary suggested to me just how the Inca might have felt when Pizarro arrived on their doorstep in the 16th century and made his presence felt amongst natives who had never seen a white man. Those that these people did see were Australian prospectors who had moved inland from their increasingly impoverished local coastal locations on the island of New Guinea in search of gold. What we are now shown is an impressive collection of archive from these virgin territories in the 1930s where little had changed for the lives of the natives for generations. Needless to say, the new arrivals were better armed and placed to impose themselves on the more primitive culture they encountered, but although there were initial casualties there seems to have emerged a certain degree of cooperative synergy between the two peoples which this film quite poignantly displays. The narration is augmented by some engagingly frank contributions from both the indigenous peoples - many rather incongruously dressed in shirt and tie - and those explorers who come across as more collaborative than you might have expected. Now, of course, much of the thrust of this is predicated on a degree of colonial supremacy that can make this a tough watch nowadays, but those attitudes were prevalent, even benignly so, at the times of filming both the feature and the subsequent interviews and are sometimes just as illuminating as the photography of the gorgeous terrain. In many ways, the tribes are portrayed as if they were children engrossed by their visitor’s colour and their technology - especially their aircraft. The commentary reports rather bluntly that there were labour issues on the island and so fairly swiftly we see an army of people engaged in the more traditionally exploitative activities of panning and mining, with a rather condescendingly delivered comment from one of the miners suggesting that this was in some way a voluntary and fun activity! I wonder? The politics aside, if you can, this is quite an astonishingly well presented look at a curious and welcoming culture that appears to have willingly embraced their visitors - even if their chances of sharing in any of the wealth they discover is slight at best, and it would be quite fascinating if someone were to go and make a follow up forty years on.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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