Is Five Days in August Worth Watching?
Answer: Maybe not, Five Days in August is likely a skip if you enjoy Drama movies.
It features a runtime of 95 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Five Days in August is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 1.0/10, it has delivered a mixed experience for fans of the Drama, Romance genre.
Answer: Maybe not, Five Days in August is likely a skip if you enjoy Drama movies.
It features a runtime of 95 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1973, Five Days in August emerges as a significant entry in the Drama, Romance domain. The narrative core of the film focuses on a sophisticated exploration of Viveca is 31, divorced, and has a son of 6 years. Unlike standard genre fare, Five Days in August attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Svend Wam, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Five Days in August features a noteworthy lineup led by Margrete Robsahm. Supported by the likes of Kjersti Døvigen and Eli Anne Linnestad, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Margrete Robsahm, Kjersti Døvigen, Eli Anne Linnestad manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1973 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Romance space.
From a technical perspective, Five Days in August is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Five Days in August follows a sophisticated brisk pace. Over its 95 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Five Days in August resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 1/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Five Days in August is more than just its synopsis. It is an inquiry into the complexity of relationships. Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Five Days in August (1973) is overwhelmingly negative. With an audience rating of 1/10 and strong performance metrics in the Drama, Romance categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Margrete Robsahm, Kjersti Døvigen, Eli Anne Linnestad or the visual majesty of its technical execution, Five Days in August is a significant contribution to the cinema of 1973. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 1/10, and global collection metrics, Five Days in August stands as a challenging project for the creators. It remains an essential piece of the 1973 cinematic year.
Five Days in August is considered a flop based on audience ratings of 1/10 and lower collections.
Based on the low rating of 1/10, Five Days in August may not be worth watching unless you are a die-hard fan.
Five Days in August may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.