Is Fremdgehen Worth Watching?
Answer: Maybe not, Fremdgehen is likely a skip if you enjoy Drama movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Fremdgehen is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 2.3/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, Fremdgehen is likely a skip if you enjoy Drama movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2010, Fremdgehen emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of The married lawyer Nikolas Merz has a relationship with the Turkish Meryem, who works in his office as a cleaning lady. Unlike standard genre fare, Fremdgehen attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Jeanette Wagner, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Fremdgehen features a noteworthy lineup led by Thomas Sarbacher. Supported by the likes of Antje Schmidt and Tanya Barut, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Thomas Sarbacher, Antje Schmidt, Tanya Barut manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2010 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Fremdgehen is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Fremdgehen follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Fremdgehen resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 2.3/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Fremdgehen is more than just its synopsis. It is an inquiry into the complexity of relationships. The married lawyer Nikolas Merz has a relationship with the Turkish Meryem, who works in his office as a cleaning lady. One day he leaves his wife Lilith for Meryem. But she is afraid that her husband Rohad would kidnap their son Baran to Turkey in the case and does not want to leave him. After Rohad has come behind the affair and threatens Nikolas, she leaves him. When Meryem miscarries and has to go to the hospital, she does not reach Nikolas and calls Rohad for help. So both men meet each other in the clinic. On the way back Rohad stops, pulls Nikolas out of the car and hits him to the ground. Nikolas then kills Rohad with a stone he picked up from the ground. Nikolas reports the incident to the police and waits for his arrest in the house with Lilith, whom he has since moved closer to. Both dream while waiting for a trip. Meanwhile, the police drive
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Fremdgehen (2010) is overwhelmingly negative. With an audience rating of 2.3/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Thomas Sarbacher, Antje Schmidt, Tanya Barut or the visual majesty of its technical execution, Fremdgehen is a significant contribution to the cinema of 2010. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 2.3/10, and global collection metrics, Fremdgehen stands as a challenging project for the creators. It remains an essential piece of the 2010 cinematic year.
Fremdgehen is considered a flop based on audience ratings of 2.3/10 and lower collections.
Based on the low rating of 2.3/10, Fremdgehen may not be worth watching unless you are a die-hard fan.
Fremdgehen may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The married lawyer Nikolas Merz has a relationship with the Turkish Meryem, who works in his office as a cleaning lady. One day he leaves his wife Lilith for Meryem. But she is afraid that her husband Rohad would kidnap their son Baran to Turkey in the case and does not want to leave him. After Rohad has come behind the affair and threatens Nikolas, she leaves him. When Meryem miscarries and has to go to the hospital, she does not reach Nikolas and calls Rohad for help. So both men meet each other in the clinic. On the way back Rohad stops, pulls Nikolas out of the car and hits him to the ground. Nikolas then kills Rohad with a stone he picked up from the ground. Nikolas reports the incident to the police and waits for his arrest in the house with Lilith, whom he has since moved closer to. Both dream while waiting for a trip. Meanwhile, the police drive