Is Getting It Worth Watching?
Answer: Maybe not, Getting It is likely a skip if you enjoy movies.
It features a runtime of 150 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Getting It is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the genre.
Answer: Maybe not, Getting It is likely a skip if you enjoy movies.
It features a runtime of 150 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2007, Getting It emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of In the bedroom Tomas bottoms for David and sucks on Jan. Unlike standard genre fare, Getting It attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of the director, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Film elements serve the larger narrative arc rather than just providing spectacle.
The success of any Film is often anchored by its ensemble, and Getting It features a noteworthy lineup led by Andrew Fisher. Supported by the likes of Eric Paver and Devon Donis, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Andrew Fisher, Eric Paver, Devon Donis manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2007 cinema, these performances stand as a testament to the evolving standards of acting within the Cinema space.
From a technical perspective, Getting It is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Getting It follows a sophisticated deliberate pace. Over its 150 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Getting It resonates with contemporary social and cultural themes prevalent in the Film landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Getting It is more than just its synopsis. It is an inquiry into the boundaries of human experience. In the bedroom Tomas bottoms for David and sucks on Jan. Jan takes his turn fucking Tomas while David rims him. Eventually they end up in a fuck train with David fucking Jan while he fucks Tomas. Feros and Karel start making out and Feros goes down on Karel. Karel fucks Feros doggie style to get him loosened up. Feros brings over his buddy Jan Storm for some fun with Karel and Jan Lasto. Storm sucks on Lasto while Feros gets another taste of Karel’s hot cock. Eventually they trade partners and don’t stop fucking until all four have cum. Anderj is a hitchhiker that Karel and Jan pick up. When they get him to their place they wash him and take turns sucking his cock. Karel bends Anderj over and begins fucking him while Jan sucks on his cock. Anderj ends up sucking Jan off while Karel fucks him. Then Karel and Jan trade positions, giving Anderj’s ass a good work out. David and Jan are having a drink. Neither one of them have plans for the night so they decide to start fooling around.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Getting It (2007) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Cinema categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Andrew Fisher, Eric Paver, Devon Donis or the visual majesty of its technical execution, Getting It is a significant contribution to the cinema of 2007. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Getting It stands as a challenging project for the creators. It remains an essential piece of the 2007 cinematic year.
Getting It is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Getting It may not be worth watching unless you are a die-hard fan.
Getting It may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
In the bedroom Tomas bottoms for David and sucks on Jan. Jan takes his turn fucking Tomas while David rims him. Eventually they end up in a fuck train with David fucking Jan while he fucks Tomas. Feros and Karel start making out and Feros goes down on Karel. Karel fucks Feros doggie style to get him loosened up. Feros brings over his buddy Jan Storm for some fun with Karel and Jan Lasto. Storm sucks on Lasto while Feros gets another taste of Karel’s hot cock. Eventually they trade partners and don’t stop fucking until all four have cum. Anderj is a hitchhiker that Karel and Jan pick up. When they get him to their place they wash him and take turns sucking his cock. Karel bends Anderj over and begins fucking him while Jan sucks on his cock. Anderj ends up sucking Jan off while Karel fucks him. Then Karel and Jan trade positions, giving Anderj’s ass a good work out. David and Jan are having a drink. Neither one of them have plans for the night so they decide to start fooling around.