Is Gone Worth Watching?
Answer: Maybe not, Gone is likely a skip if you enjoy Drama movies.
It features a runtime of 20 minutes and offers a standard storyline that appeals to general audiences.
Gone Review
Last updated: January 13, 2026
Detailed Premise & Narrative Foundations
Released in the dynamic cinematic landscape of N/A, Gone emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of After a sleepless New Year’s Eve night, Jindra and his daughter Bára set out to search for their lost dog. Unlike standard genre fare, Gone attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Piotr Jasiński, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
Cast Performances: A Masterclass in Character Study
The success of any Drama is often anchored by its ensemble, and Gone features a noteworthy lineup led by Dorota Šlajerová. Supported by the likes of Miloslav König and Martha Issová, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Dorota Šlajerová, Miloslav König, Martha Issová manages to keep the audience invested through the film's more predictable sequences. In the broader context of N/A cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
Directorial Vision & Technical Craftsmanship
From a technical perspective, Gone is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
Narrative Pacing & Structural Integrity
The structure of Gone follows a sophisticated brisk pace. Over its 20 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Cultural Impact & Global Resonance
Beyond its immediate entertainment value, Gone resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Plot Breakdown & Philosophical Subtext
Analyzing the plot deeper, Gone is more than just its synopsis. It is an inquiry into the complexity of relationships. After a sleepless New Year’s Eve night, Jindra and his daughter Bára set out to search for their lost dog. The frustrating situation reopens unresolved conflicts. Bára blames Jindra not only for losing the dog, but also for his recent divorce from her mother. As they wander helplessly through deserted fields, Jindra tries to prove that he is not useless.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Gone (N/A) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Dorota Šlajerová, Miloslav König, Martha Issová or the visual majesty of its technical execution, Gone is a significant contribution to the cinema of N/A. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Parents Guide & Age Rating
Gone has not been officially rated yet.
Final Verdict
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Gone stands as a challenging project for the creators. It remains an essential piece of the cinematic year.
Frequently Asked Questions
Is Gone movie hit or flop?
Gone is considered a flop based on audience ratings of 0/10 and lower collections.
Is Gone worth watching?
Based on the low rating of 0/10, Gone may not be worth watching unless you are a die-hard fan.
Where can I watch Gone online?
Gone may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Explore More Verdicts
Synopsis
After a sleepless New Year’s Eve night, Jindra and his daughter Bára set out to search for their lost dog. The frustrating situation reopens unresolved conflicts. Bára blames Jindra not only for losing the dog, but also for his recent divorce from her mother. As they wander helplessly through deserted fields, Jindra tries to prove that he is not useless.