Is Greftar Worth Watching?
Answer: Maybe not, Greftar is likely a skip if you enjoy Action movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Greftar is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Action genre.
Answer: Maybe not, Greftar is likely a skip if you enjoy Action movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2007, Greftar emerges as a significant entry in the Action domain. The narrative core of the film focuses on a sophisticated exploration of Arun Roy, a police sub-inspector, comes face-to-face with a corrupt political leader, Indrajit, and stands up to him. Unlike standard genre fare, Greftar attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Swapan Saha, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Action elements serve the larger narrative arc rather than just providing spectacle.
The success of any Action is often anchored by its ensemble, and Greftar features a noteworthy lineup led by Prosenjit Chatterjee. Supported by the likes of Swastika Mukherjee and Ashish Vidhyarthi, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Prosenjit Chatterjee, Swastika Mukherjee, Ashish Vidhyarthi manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2007 cinema, these performances stand as a testament to the evolving standards of acting within the Action space.
From a technical perspective, Greftar is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Greftar follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Greftar resonates with contemporary social and cultural themes prevalent in the Action landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Greftar is more than just its synopsis. It is an inquiry into nature of power. Arun Roy, a police sub-inspector, comes face-to-face with a corrupt political leader, Indrajit, and stands up to him. As a result, his father is humiliated and suspended from the police. Arun fell in love with a college student named Trisha Wesmen, whose father was a journalist. To take revenge for his father's insult, Arun made a plan with his friend Hitler to stage Balaram as madman. They were successful, and Balaram was suspended. A new Superintendent of Police, Sukhomoy, took charge and supported Arun. Indrajit, Arjun, and Balaram tried several times to stop Arun in preventing their different illegal business and failed due to support from the state ministry. Arun later arrested the three of them for different crimes.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Greftar (2007) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Action categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Prosenjit Chatterjee, Swastika Mukherjee, Ashish Vidhyarthi or the visual majesty of its technical execution, Greftar is a significant contribution to the cinema of 2007. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Greftar stands as a challenging project for the creators. It remains an essential piece of the 2007 cinematic year.
Greftar is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Greftar may not be worth watching unless you are a die-hard fan.
Greftar may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Arun Roy, a police sub-inspector, comes face-to-face with a corrupt political leader, Indrajit, and stands up to him. As a result, his father is humiliated and suspended from the police. Arun fell in love with a college student named Trisha Wesmen, whose father was a journalist. To take revenge for his father's insult, Arun made a plan with his friend Hitler to stage Balaram as madman. They were successful, and Balaram was suspended. A new Superintendent of Police, Sukhomoy, took charge and supported Arun. Indrajit, Arjun, and Balaram tried several times to stop Arun in preventing their different illegal business and failed due to support from the state ministry. Arun later arrested the three of them for different crimes.