Is Have Mercy and Forgive Worth Watching?
Answer: Maybe not, Have Mercy and Forgive is likely a skip if you enjoy Drama movies.
It features a runtime of 77 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Have Mercy and Forgive is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, Have Mercy and Forgive is likely a skip if you enjoy Drama movies.
It features a runtime of 77 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1988, Have Mercy and Forgive emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of A young artist, a graduate student Yuri Dyachenko leaves the Institute of Arts, defending his right to freedom of creativity. Unlike standard genre fare, Have Mercy and Forgive attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Oleksandr Muratov, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Have Mercy and Forgive features a noteworthy lineup led by Sergey Taramaev. Supported by the likes of Stanislav Stankevych and Tatyana Tashkova, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Sergey Taramaev, Stanislav Stankevych, Tatyana Tashkova manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1988 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Have Mercy and Forgive is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Have Mercy and Forgive follows a sophisticated brisk pace. Over its 77 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Have Mercy and Forgive resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Have Mercy and Forgive is more than just its synopsis. It is an inquiry into the complexity of relationships. A young artist, a graduate student Yuri Dyachenko leaves the Institute of Arts, defending his right to freedom of creativity. Yuri manages to arrange his first solo exhibition. However, his paintings turn out to be incomprehensible to a wide audience. This becomes one of the reasons for the spiritual crisis of the painter. The hero's relationship with the outside world is difficult...
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Have Mercy and Forgive (1988) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Sergey Taramaev, Stanislav Stankevych, Tatyana Tashkova or the visual majesty of its technical execution, Have Mercy and Forgive is a significant contribution to the cinema of 1988. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Have Mercy and Forgive stands as a challenging project for the creators. It remains an essential piece of the 1988 cinematic year.
Have Mercy and Forgive is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Have Mercy and Forgive may not be worth watching unless you are a die-hard fan.
Have Mercy and Forgive may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
A young artist, a graduate student Yuri Dyachenko leaves the Institute of Arts, defending his right to freedom of creativity. Yuri manages to arrange his first solo exhibition. However, his paintings turn out to be incomprehensible to a wide audience. This becomes one of the reasons for the spiritual crisis of the painter. The hero's relationship with the outside world is difficult...