Is Hawk from the South Worth Watching?
Answer: Maybe not, Hawk from the South is likely a skip if you enjoy movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Hawk from the South is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the genre.
Answer: Maybe not, Hawk from the South is likely a skip if you enjoy movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 1988, Hawk from the South emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of Criminals threaten Suro Mantoro’s North-South trade and his guards are defeated. Unlike standard genre fare, Hawk from the South attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of S.A. Karim, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Film elements serve the larger narrative arc rather than just providing spectacle.
The success of any Film is often anchored by its ensemble, and Hawk from the South features a noteworthy lineup led by Yurike Prastika. Supported by the likes of Devi Ivonne and Alfian, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Yurike Prastika, Devi Ivonne, Alfian manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1988 cinema, these performances stand as a testament to the evolving standards of acting within the Cinema space.
From a technical perspective, Hawk from the South is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Hawk from the South follows a sophisticated brisk pace. Over its 94 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Hawk from the South resonates with contemporary social and cultural themes prevalent in the Film landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Hawk from the South is more than just its synopsis. It is an inquiry into the boundaries of human experience. Criminals threaten Suro Mantoro’s North-South trade and his guards are defeated. One of the dead is Srikandi’s father so Srikandi pursues her martial arts studies by ascetic meditation. She also has a thin blade that is almost invisible to the human eye. Suro Mantoro and Fatimah, whose father was also killed, want to advance their skills but their teacher refuses. He foresees that their problem will be resolved by Srikandi Mantili, the Eagle from the South. (Film Indonesia synopsis)
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Hawk from the South (1988) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Cinema categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Yurike Prastika, Devi Ivonne, Alfian or the visual majesty of its technical execution, Hawk from the South is a significant contribution to the cinema of 1988. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Hawk from the South stands as a challenging project for the creators. It remains an essential piece of the 1988 cinematic year.
Hawk from the South is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Hawk from the South may not be worth watching unless you are a die-hard fan.
Hawk from the South may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Criminals threaten Suro Mantoro’s North-South trade and his guards are defeated. One of the dead is Srikandi’s father so Srikandi pursues her martial arts studies by ascetic meditation. She also has a thin blade that is almost invisible to the human eye. Suro Mantoro and Fatimah, whose father was also killed, want to advance their skills but their teacher refuses. He foresees that their problem will be resolved by Srikandi Mantili, the Eagle from the South. (Film Indonesia synopsis)