Is Howling VI: The Freaks Worth Watching?
Answer: Maybe not, Howling VI: The Freaks is likely a skip if you enjoy Horror movies.
It features a runtime of 102 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Howling VI: The Freaks is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.5/10, it has delivered a mixed experience for fans of the Horror genre.
Answer: Maybe not, Howling VI: The Freaks is likely a skip if you enjoy Horror movies.
It features a runtime of 102 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 11, 2026
Released in 1991, Howling VI: The Freaks enters the Horror genre with a narrative focused on A villainous carnival owner traps a young werewolf to include in his growing menagerie of inhuman exhibits. Under the direction of Hope Perello, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Brendan Hughes. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, Howling VI: The Freaks offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, Howling VI: The Freaks resonates with current cultural themes in the Horror space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, Howling VI: The Freaks is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of Howling VI: The Freaks centers on a unique premise within the Horror landscape. A villainous carnival owner traps a young werewolf to include in his growing menagerie of inhuman exhibits. The second act serves as a major turning point, leading to a climax that fans of 1991 cinema will find fairly predictable.
The ending of Howling VI: The Freaks has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a Howling VI: The Freaks sequel or a wider cinematic universe are already gaining traction.
Final verdict for Howling VI: The Freaks (1991): with an audience rating of 4.5/10, the reception has been negative. It is a recommended for fans of Horror cinema who appreciate attention to detail.
Analyzing the audience sentiment, IMDb rating of 4.5/10, and global collection metrics, Howling VI: The Freaks stands as a challenging project for the creators. It remains an essential piece of the 1991 cinematic year.
Howling VI: The Freaks is considered a flop based on audience ratings of 4.5/10 and lower collections.
Based on the low rating of 4.5/10, Howling VI: The Freaks may not be worth watching unless you are a die-hard fan.
Howling VI: The Freaks may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Howling VI: The Freaks is considered a flop based on audience ratings of 4.5/10 and lower collections.
Based on the low rating of 4.5/10, Howling VI: The Freaks may not be worth watching unless you are a die-hard fan.
Howling VI: The Freaks may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Howling VI: The Freaks is a Horror movie that follows: A villainous carnival owner traps a young werewolf to include in his growing menagerie of inhuman exhibits....
Howling VI: The Freaks falls under Horror, which often contain intense scenes. Parental discretion is advised.
Howling VI: The Freaks is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Explore the full watch order, ratings, and collection details.
View Full FranchiseA villainous carnival owner traps a young werewolf to include in his growing menagerie of inhuman exhibits.
Harker's World of Wonders. The Howling (1981) remains to me one of the finest Werewolf movies ever made, though looking a bit tired these days, there still remains a wrought terror there, the effects work impressive even in this age of amazing effects advancements. What is actually surprising is that it would spawn a whole raft of sequels, becoming a cash cow franchise that not only failed to grasp the essence of writer Gary Brander's prose, but also in how the stories were schizophrenic in relation to the Werewolf formula. Part VI: The Freaks is not a great movie, but it has a grand idea at its core, shifting the story arc into the mysterious realm of circus freaks, thus making this very much of interest for anyone with a kink for carnival/fairground/circus horror films. It's this backdrop, and the all round eerie atmospherics wrung out by director Hope Perello and cinematographer Edward Pei, that keeps this sequel above average. Plot basically finds a drifter known only as Ian (Brendan Hughes) wandering into the town of Canton Bluff and in spite of some hostility from the sheriff of the town, manages to find some lodgings with troubled pastor Dewey (Jered Barclay) and his daughter Elizabeth (Michele Matheson). All seems rosy until the arrival of a travelling show called Harker's World of Wonders. Fronted by the mysterious R.B. Harker (Bruce Payne), it's a veritable showcase for the misfits, the freaks and the runts. But much like Harker has a dark secret, so too does Ian, and when revealed, the town of Canton Bluff will never be the same. Unfortunately the main promotional poster for the film gives the game away, so it's no spoiler to say that it's all building towards a monster face-off, with the character name of Harker a not very subtle clue as well. In between there is the standard relationship building narrative, with Ian battling his demons as he comes to adore both Elizabeth and Dewey, while the tours around the "show" are suitably creepy. Payne is giving good pompous aristocratic entertainment, while seeing Antonio Fargas and Carol Lynley in this gives novelty value whilst serving to remind that actors do sometimes have to work for food! It's dressed up nicely and never insulting, and in context to the budget available it deserves a gentle golf clap type of grudging appreciation. Even if it's hardly a must see for Werewolf lovers. 6/10