Verdict:I’m a Negro, I’m an American – Paul Robeson is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Documentary genre.
Answer: Maybe not, I’m a Negro, I’m an American – Paul Robeson is likely a skip if you enjoy Documentary movies.
It features a runtime of 86 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 11, 2026
Released in 1990, I’m a Negro, I’m an American – Paul Robeson enters the Documentary genre with a narrative focused on Biographical notes on the American singer, actor and civil rights activist Paul Robeson (1898-1976). Under the direction of Kurt Tetzlaff, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Paul Robeson Jr.. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, I’m a Negro, I’m an American – Paul Robeson offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, I’m a Negro, I’m an American – Paul Robeson resonates with current cultural themes in the Documentary space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, I’m a Negro, I’m an American – Paul Robeson is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of I’m a Negro, I’m an American – Paul Robeson centers on a unique premise within the Documentary landscape. Biographical notes on the American singer, actor and civil rights activist Paul Robeson (1898-1976). At the height of his fame and skill, Robeson’s career was cut short by Cold War anti-communist hysteria. This documentary includes historic footage of the US civil rights movement; clips of Robeson’s speeches, performances and visits to East Germany (GDR) and the Soviet Union; and interviews with his son, Paul Robeson Jr., and the musicians and activists Harry Belafonte, Pete Seeger and Earl Robinson. Co-produced by the GDR’s DEFA Studio for Documentary Film and the West Berlin production company Chronos, with scenes shot in the U.S. The second act serves as a major turning point, leading to a climax that fans of 1990 cinema will find fairly predictable.
The ending of I’m a Negro, I’m an American – Paul Robeson has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a I’m a Negro, I’m an American – Paul Robeson sequel or a wider cinematic universe are already gaining traction.
Final verdict for I’m a Negro, I’m an American – Paul Robeson (1990): with an audience rating of 0/10, the reception has been negative. It is a recommended for fans of Documentary cinema who appreciate attention to detail.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, I’m a Negro, I’m an American – Paul Robeson stands as a challenging project for the creators. It remains an essential piece of the 1990 cinematic year.
I’m a Negro, I’m an American – Paul Robeson is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, I’m a Negro, I’m an American – Paul Robeson may not be worth watching unless you are a die-hard fan.
I’m a Negro, I’m an American – Paul Robeson may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
I’m a Negro, I’m an American – Paul Robeson is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, I’m a Negro, I’m an American – Paul Robeson may not be worth watching unless you are a die-hard fan.
I’m a Negro, I’m an American – Paul Robeson may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
I’m a Negro, I’m an American – Paul Robeson is a Documentary movie that follows: Biographical notes on the American singer, actor and civil rights activist Paul Robeson (1898-1976). At the height of his fame and skill, Robeson’s career was cut short by Cold War anti-communist hyst...
I’m a Negro, I’m an American – Paul Robeson is classified as Documentary. We recommend checking the official age rating before watching with children.
I’m a Negro, I’m an American – Paul Robeson is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Biographical notes on the American singer, actor and civil rights activist Paul Robeson (1898-1976). At the height of his fame and skill, Robeson’s career was cut short by Cold War anti-communist hysteria. This documentary includes historic footage of the US civil rights movement; clips of Robeson’s speeches, performances and visits to East Germany (GDR) and the Soviet Union; and interviews with his son, Paul Robeson Jr., and the musicians and activists Harry Belafonte, Pete Seeger and Earl Robinson. Co-produced by the GDR’s DEFA Studio for Documentary Film and the West Berlin production company Chronos, with scenes shot in the U.S.
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