Is I Like Bats Worth Watching?
Answer: Maybe not, I Like Bats is likely a skip if you enjoy Comedy movies.
It features a runtime of 79 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:I Like Bats is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.1/10, it has delivered a mixed experience for fans of the Comedy, Horror genre.
Answer: Maybe not, I Like Bats is likely a skip if you enjoy Comedy movies.
It features a runtime of 79 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1986, I Like Bats emerges as a significant entry in the Comedy, Horror domain. The narrative core of the film focuses on a sophisticated exploration of Izabella, a beautiful young woman, works at her aunt’s shop in a small town in Poland. Unlike standard genre fare, I Like Bats attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Grzegorz Warchoł, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and I Like Bats features a noteworthy lineup led by Katarzyna Walter. Supported by the likes of Marek Barbasiewicz and Małgorzata Lorentowicz, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Katarzyna Walter, Marek Barbasiewicz, Małgorzata Lorentowicz manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1986 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy, Horror space.
From a technical perspective, I Like Bats is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of I Like Bats follows a sophisticated brisk pace. Over its 79 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, I Like Bats resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 4.1/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, I Like Bats is more than just its synopsis. It is an inquiry into the boundaries of human experience. Izabella, a beautiful young woman, works at her aunt’s shop in a small town in Poland. She uses her hands to create unique small objects for the shop, but in the night she has the strange habit to feed bats.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of I Like Bats (1986) is overwhelmingly negative. With an audience rating of 4.1/10 and strong performance metrics in the Comedy, Horror categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Katarzyna Walter, Marek Barbasiewicz, Małgorzata Lorentowicz or the visual majesty of its technical execution, I Like Bats is a significant contribution to the cinema of 1986. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Philo
Fandor Amazon Channel
Eternal Family
Troma NOW
Amazon Video
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Amazon Video
Google Play Movies
YouTubeAnalyzing the audience sentiment, IMDb rating of 4.1/10, and global collection metrics, I Like Bats stands as a challenging project for the creators. It remains an essential piece of the 1986 cinematic year.
I Like Bats is considered a flop based on audience ratings of 4.1/10 and lower collections.
Based on the low rating of 4.1/10, I Like Bats may not be worth watching unless you are a die-hard fan.
I Like Bats is currently available for streaming on Philo. You can also check for it on platforms like Philo, Fandor Amazon Channel, Eternal Family, Troma NOW depending on your region.
Izabella, a beautiful young woman, works at her aunt’s shop in a small town in Poland. She uses her hands to create unique small objects for the shop, but in the night she has the strange habit to feed bats.