Is I, Philip Worth Watching?
Answer: Maybe not, I, Philip is likely a skip if you enjoy Science Fiction movies.
It features a runtime of 14 minutes and offers a standard storyline that appeals to general audiences.
Verdict:I, Philip is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Science Fiction genre.
Answer: Maybe not, I, Philip is likely a skip if you enjoy Science Fiction movies.
It features a runtime of 14 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2016, I, Philip emerges as a significant entry in the Science Fiction domain. The narrative core of the film focuses on a sophisticated exploration of A Virtual Reality Movie - In early 2005, David Hanson, an American robotics, is developing its first android human. Unlike standard genre fare, I, Philip attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Pierre Zandrowicz, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Science Fiction elements serve the larger narrative arc rather than just providing spectacle.
The success of any Science Fiction is often anchored by its ensemble, and I, Philip features a noteworthy lineup led by Adrienne Mei Irving. Supported by the likes of Hélène Kuhn and Doug Rand, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Adrienne Mei Irving, Hélène Kuhn, Doug Rand manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2016 cinema, these performances stand as a testament to the evolving standards of acting within the Science Fiction space.
From a technical perspective, I, Philip is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of I, Philip follows a sophisticated brisk pace. Over its 14 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, I, Philip resonates with contemporary social and cultural themes prevalent in the Science Fiction landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, I, Philip is more than just its synopsis. It is an inquiry into the boundaries of human experience. A Virtual Reality Movie - In early 2005, David Hanson, an American robotics, is developing its first android human. His name is Phil and it is simply the copy of the famous science fiction author Philip K. Dick. In a few weeks Phil became famous on the Web and in the author's fan circles. It is presented in several conferences around the world. In late 2005, the head of the android disappeared during a flight America West Airlines between Dallas and Las Vegas. Through the memories of the android and those of the author, the film offers an interpretation of Phil's life.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of I, Philip (2016) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Science Fiction categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Adrienne Mei Irving, Hélène Kuhn, Doug Rand or the visual majesty of its technical execution, I, Philip is a significant contribution to the cinema of 2016. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, I, Philip stands as a challenging project for the creators. It remains an essential piece of the 2016 cinematic year.
I, Philip is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, I, Philip may not be worth watching unless you are a die-hard fan.
I, Philip may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
A Virtual Reality Movie - In early 2005, David Hanson, an American robotics, is developing its first android human. His name is Phil and it is simply the copy of the famous science fiction author Philip K. Dick. In a few weeks Phil became famous on the Web and in the author's fan circles. It is presented in several conferences around the world. In late 2005, the head of the android disappeared during a flight America West Airlines between Dallas and Las Vegas. Through the memories of the android and those of the author, the film offers an interpretation of Phil's life.