Is Insidious: The Red Door Worth Watching?
Answer: Yes, Insidious: The Red Door is definitely worth watching if you enjoy Horror movies.
It features a runtime of 107 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Insidious: The Red Door is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.5/10, it has delivered a mixed experience for fans of the Horror, Thriller genre.
Answer: Yes, Insidious: The Red Door is definitely worth watching if you enjoy Horror movies.
It features a runtime of 107 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 10, 2026
Released in 2023, Insidious: The Red Door enters the Horror genre with a narrative focused on To put their demons to rest once and for all, Josh Lambert and a college-aged Dalton Lambert must go deeper into The Further than ever before, facing their family's dark past and a host of new and more horrifying terrors that lurk behind the red door. Under the direction of Patrick Wilson, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Rose Byrne, Ty Simpkins, Patrick Wilson. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, Insidious: The Red Door offers a competent presentation. The cinematography aligns well with the tone, keeping the narrative moving at a brisk pace.
As of January 2026, Insidious: The Red Door is available in theaters worldwide. For streaming audiences in the US and UK, look for availability on major platforms roughly 45 days after the theatrical release. Check your local listings for specific showtimes.
With an audience rating of 6.5/10, the reception has been generally positive. For fans of Horror, Thriller, it serves as a worthy addition to the watchlist.
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $16,000,000 |
| Worldwide Gross | $189,086,877 |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Insidious: The Red Door is $16,000,000. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










Analyzing the audience sentiment, IMDb rating of 6.5/10, and global collection metrics, Insidious: The Red Door stands as a successful venture for the creators. It remains an essential piece of the 2023 cinematic year.
Insidious: The Red Door has received mixed reviews with a 6.5/10 rating, making it a moderate success with the audience.
Insidious: The Red Door is a mixed bag. It might be worth watching if you're a fan of Horror, Thriller movies, but read reviews first.
Insidious: The Red Door is a Horror, Thriller movie that To put their demons to rest once and for all, Josh Lambert and a college-aged Dalton Lambert must go deeper into The Further than ever before, facing ...
"Dalton" (a competent effort from Ty Simpkins) and his dad "Josh" (Patrick Wilson) have a strained relationship as they come to terms with recent family upheaval and that pressure is beginning to unravel the hypnotism that is protecting them from even more ghastly memories from nine years ago. At college, he quickly befriends the quirky and outgoing girl "Chris" (an overpowering Sinclair Daniel), who is wrongly assigned to be his room-mate. Before long the pair are mired in a series of mysteries that seem to emanate from his imagination - a comatose state sets in and another dimension - and it's perils - arrives to terrorise the family via an ominous looking painting that he has instinctively created and hung on the wall. Can they unite, put their differences behind them and rally to defeat their nemesis and close the portal for ever? Well, sadly I didn't really care. This is really just a revamp of the first "Insidious" (2010) film with some added teenage angst, familial discord and little enough by way of contributions from the other siblings to give any depth to this routine father and son drama that save for the slightly livelier denouement was really rather predictable and dull. There are a few jump moments mid-way through the drama, but for the rest of it it seems that Wilson was perhaps too preoccupied with both of his roles here to focus properly on either, and that leaves us with a rather unremarkable muddle of a film that I'm afraid is just instantly forgettable.