Is Intolerance Worth Watching?
Answer: Maybe not, Intolerance is likely a skip if you enjoy Comedy movies.
It features a runtime of 11 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Intolerance is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.9/10, it has delivered a mixed experience for fans of the Comedy, Science Fiction, Animation genre.
Answer: Maybe not, Intolerance is likely a skip if you enjoy Comedy movies.
It features a runtime of 11 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 14, 2026
Released in the dynamic cinematic landscape of 2000, Intolerance emerges as a significant entry in the Comedy, Science Fiction, Animation domain. The narrative core of the film focuses on a sophisticated exploration of The film begins with an Earth space craft stumbling upon a movie floating in the vast nothingness. Unlike standard genre fare, Intolerance attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Phil Mulloy, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and Intolerance features a noteworthy lineup led by Joel Cutrara.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Joel Cutrara manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2000 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy, Science Fiction, Animation space.
From a technical perspective, Intolerance is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Intolerance follows a sophisticated brisk pace. Over its 11 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Intolerance resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.9/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Intolerance is more than just its synopsis. It is an inquiry into the boundaries of human experience. The film begins with an Earth space craft stumbling upon a movie floating in the vast nothingness. The film turns out to be from planet Zog and when people see it, they are shocked and angered by the Zogs (or is it 'Zogians' or 'Zogites'?). It seems that they have their genitals where our heads are and vice-versa. To make things really weird, they eat and drink with their genitals and defecate with their faces.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Intolerance (2000) is overwhelmingly divisive. With an audience rating of 5.9/10 and strong performance metrics in the Comedy, Science Fiction, Animation categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Joel Cutrara or the visual majesty of its technical execution, Intolerance is a significant contribution to the cinema of 2000. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Set within the thematic framework of the Comedy, Science Fiction, Animation genre, Intolerance delivers a narrative that attempts to balance character development with structural high-points.
The core plot centers around the following premise: "The film begins with an Earth space craft stumbling upon a movie floating in the vast nothingness. The film turns out to be from planet Zog and when people see it, they are shocked and angered by the Zogs (or is it 'Zogians' or 'Zogites'?). It seems that they have their genitals where our heads are and vice-versa. To make things really weird, they eat and drink with their genitals and defecate with their faces."
As the story progresses, the director focuses on building tension through deliberate character interactions, leading to a culmination that has sparked significant discussion among audience members.
The conclusion of Intolerance leaves several plot threads for interpretation. In the final act, the narrative shifts from exposition to a more complex resolution that ties together the various character arcs introduced earlier.
Ultimately, Intolerance's ending serves as a definitive close to this chapter, though the logic used provides enough ambiguity to keep fans debating its true meaning long after the credits roll.
Analyzing the audience sentiment, IMDb rating of 5.9/10, and global collection metrics, Intolerance stands as a challenging project for the creators. It remains an essential piece of the 2000 cinematic year.
Intolerance has received mixed reviews with a 5.9/10 rating, making it a moderate success with the audience.
Intolerance is a mixed bag. It might be worth watching if you're a fan of Comedy, Science Fiction, Animation movies, but read reviews first.
Intolerance may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Intolerance has received mixed reviews with a 5.9/10 rating, making it a moderate success with the audience.
Intolerance is a mixed bag. It might be worth watching if you're a fan of Comedy, Science Fiction, Animation movies, but read reviews first.
Intolerance may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Intolerance is a Comedy, Science Fiction, Animation movie that follows: The film begins with an Earth space craft stumbling upon a movie floating in the vast nothingness. The film turns out to be from planet Zog and when people see it, they are shocked and angered by the ...
Yes, Intolerance is generally suitable for family viewing as it is a Comedy, Science Fiction, Animation movie.
Intolerance is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
The film begins with an Earth space craft stumbling upon a movie floating in the vast nothingness. The film turns out to be from planet Zog and when people see it, they are shocked and angered by the Zogs (or is it 'Zogians' or 'Zogites'?). It seems that they have their genitals where our heads are and vice-versa. To make things really weird, they eat and drink with their genitals and defecate with their faces.
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