Is İsyan Worth Watching?
Answer: Maybe not, İsyan is likely a skip if you enjoy movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Verdict:İsyan is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the genre.
Answer: Maybe not, İsyan is likely a skip if you enjoy movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 14, 2026
Released in the dynamic cinematic landscape of 1979, İsyan emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of The chief is the chief of seven villages. Unlike standard genre fare, İsyan attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Orhan Aksoy, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Film elements serve the larger narrative arc rather than just providing spectacle.
The success of any Film is often anchored by its ensemble, and İsyan features a noteworthy lineup led by Kadir İnanır. Supported by the likes of Erol Taş and Melike Zobu, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Kadir İnanır, Erol Taş, Melike Zobu manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1979 cinema, these performances stand as a testament to the evolving standards of acting within the Cinema space.
From a technical perspective, İsyan is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of İsyan follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, İsyan resonates with contemporary social and cultural themes prevalent in the Film landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, İsyan is more than just its synopsis. It is an inquiry into the boundaries of human experience. The chief is the chief of seven villages. He makes a living as a smuggler. Apo's father is the chief's smuggler. One day, he steps on a mine while smuggling and dies. His family is too afraid of the chief to claim his body. Around this time, Apo is having an affair with Ayno, the beautiful daughter of a villager named Şahan; they meet secretly from time to time. Apo goes to the chief to ask him to send him on a smuggling trip, as it is his only option to earn the dowry money...
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of İsyan (1979) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Cinema categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Kadir İnanır, Erol Taş, Melike Zobu or the visual majesty of its technical execution, İsyan is a significant contribution to the cinema of 1979. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Set within the thematic framework of the genre, İsyan delivers a narrative that attempts to balance character development with structural high-points.
The core plot centers around the following premise: "The chief is the chief of seven villages. He makes a living as a smuggler. Apo's father is the chief's smuggler. One day, he steps on a mine while smuggling and dies. His family is too afraid of the chief to claim his body. Around this time, Apo is having an affair with Ayno, the beautiful daughter of a villager named Şahan; they meet secretly from time to time. Apo goes to the chief to ask him to send him on a smuggling trip, as it is his only option to earn the dowry money..."
As the story progresses, the director focuses on building tension through deliberate character interactions, leading to a culmination that has sparked significant discussion among audience members.
The conclusion of İsyan leaves several plot threads for interpretation. In the final act, the narrative shifts from exposition to a more complex resolution that ties together the various character arcs introduced earlier.
Ultimately, İsyan's ending serves as a definitive close to this chapter, though the logic used provides enough ambiguity to keep fans debating its true meaning long after the credits roll.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, İsyan stands as a challenging project for the creators. It remains an essential piece of the 1979 cinematic year.
İsyan is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, İsyan may not be worth watching unless you are a die-hard fan.
İsyan may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The chief is the chief of seven villages. He makes a living as a smuggler. Apo's father is the chief's smuggler. One day, he steps on a mine while smuggling and dies. His family is too afraid of the chief to claim his body. Around this time, Apo is having an affair with Ayno, the beautiful daughter of a villager named Şahan; they meet secretly from time to time. Apo goes to the chief to ask him to send him on a smuggling trip, as it is his only option to earn the dowry money...