Verdict:It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Documentary genre.
Answer: Maybe not, It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point is likely a skip if you enjoy Documentary movies.
It features a runtime of 99 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 11, 2026
Released in 2023, It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point enters the Documentary genre with a narrative focused on Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). Under the direction of Daniel Kremer, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Daniel Kremer. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point resonates with current cultural themes in the Documentary space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point centers on a unique premise within the Documentary landscape. Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest. The second act serves as a major turning point, leading to a climax that fans of 2023 cinema will find fairly predictable.
The ending of It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point sequel or a wider cinematic universe are already gaining traction.
Final verdict for It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point (2023): with an audience rating of 0/10, the reception has been negative. It is a recommended for fans of Documentary cinema who appreciate attention to detail.
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $10,000 |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point is $10,000. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point stands as a challenging project for the creators. It remains an essential piece of the 2023 cinematic year.
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point may not be worth watching unless you are a die-hard fan.
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point may not be worth watching unless you are a die-hard fan.
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point is a Documentary movie that follows: Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art f...
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point is classified as Documentary. We recommend checking the official age rating before watching with children.
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest.
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