Is Ja, so ein Mann bin ich! Worth Watching?
Answer: Maybe not, Ja, so ein Mann bin ich! is likely a skip if you enjoy Comedy movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Ja, so ein Mann bin ich! is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Comedy, TV Movie genre.
Answer: Maybe not, Ja, so ein Mann bin ich! is likely a skip if you enjoy Comedy movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 1980, Ja, so ein Mann bin ich! emerges as a significant entry in the Comedy, TV Movie domain. The narrative core of the film focuses on a sophisticated exploration of It all begins with a crazy idea. Unlike standard genre fare, Ja, so ein Mann bin ich! attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Hans Joachim Preil, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and Ja, so ein Mann bin ich! features a noteworthy lineup led by Dieter Mann. Supported by the likes of Margot Busse and Heinz Behrens, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Dieter Mann, Margot Busse, Heinz Behrens manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1980 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy, TV Movie space.
From a technical perspective, Ja, so ein Mann bin ich! is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Ja, so ein Mann bin ich! follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Ja, so ein Mann bin ich! resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Ja, so ein Mann bin ich! is more than just its synopsis. It is an inquiry into the boundaries of human experience. It all begins with a crazy idea. Peter Schönfeld, a good husband whose excess of virtue already seems suspicious, is to be subjected to a fidelity test. Rosemarie, Peter's wife Regina's best friend, wants to dissuade the straw widower from the path of virtue with all kinds of tricks and erotic finesse. This leads to all kinds of confusion and mix-ups, to which Uncle Ewald, whose motto is "If you have worries, you need a liqueur", and his daughter Gisela, the "model", as well as Peter's neighbor, the amateur nude photographer Konrad Förster, intentionally and unintentionally contribute. So it will be interesting to see whether the "hero" of the play, Peter Schönfeld, can still say at the end: "Yes, that's the kind of man I am!".
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Ja, so ein Mann bin ich! (1980) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Comedy, TV Movie categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Dieter Mann, Margot Busse, Heinz Behrens or the visual majesty of its technical execution, Ja, so ein Mann bin ich! is a significant contribution to the cinema of 1980. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Ja, so ein Mann bin ich! stands as a challenging project for the creators. It remains an essential piece of the 1980 cinematic year.
Ja, so ein Mann bin ich! is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Ja, so ein Mann bin ich! may not be worth watching unless you are a die-hard fan.
Ja, so ein Mann bin ich! may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
It all begins with a crazy idea. Peter Schönfeld, a good husband whose excess of virtue already seems suspicious, is to be subjected to a fidelity test. Rosemarie, Peter's wife Regina's best friend, wants to dissuade the straw widower from the path of virtue with all kinds of tricks and erotic finesse. This leads to all kinds of confusion and mix-ups, to which Uncle Ewald, whose motto is "If you have worries, you need a liqueur", and his daughter Gisela, the "model", as well as Peter's neighbor, the amateur nude photographer Konrad Förster, intentionally and unintentionally contribute. So it will be interesting to see whether the "hero" of the play, Peter Schönfeld, can still say at the end: "Yes, that's the kind of man I am!".