Is Kill or be Killed Worth Watching?
Answer: Maybe not, Kill or be Killed is likely a skip if you enjoy Horror movies.
It features a runtime of 81 minutes and offers a standard storyline that appeals to mature audiences.
Verdict:Kill or be Killed is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Horror genre.
Answer: Maybe not, Kill or be Killed is likely a skip if you enjoy Horror movies.
It features a runtime of 81 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2017, Kill or be Killed emerges as a significant entry in the Horror domain. The narrative core of the film focuses on a sophisticated exploration of Five years after the unusual deaths of a group of teenagers, paranormal investigator Max Archer interviews survivor Matt Swanson who is serving life in prison for the murder of his classmates - but Matt claims he is innocent and that the inhuman force that killed his friends is still after him. Unlike standard genre fare, Kill or be Killed attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of B.L. Parker, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Horror elements serve the larger narrative arc rather than just providing spectacle.
The success of any Horror is often anchored by its ensemble, and Kill or be Killed features a noteworthy lineup led by Ed Sanders. Supported by the likes of Tom Bott and Montanna Thompson, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Ed Sanders, Tom Bott, Montanna Thompson manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2017 cinema, these performances stand as a testament to the evolving standards of acting within the Horror space.
From a technical perspective, Kill or be Killed is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Kill or be Killed follows a sophisticated brisk pace. Over its 81 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Kill or be Killed resonates with contemporary social and cultural themes prevalent in the Horror landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Kill or be Killed is more than just its synopsis. It is an inquiry into the boundaries of human experience. Five years after the unusual deaths of a group of teenagers, paranormal investigator Max Archer interviews survivor Matt Swanson who is serving life in prison for the murder of his classmates - but Matt claims he is innocent and that the inhuman force that killed his friends is still after him. Matt recalls how he and his best friend Liam were ensnared into a deadly game of tag with their friends and why the game still isn't over.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Kill or be Killed (2017) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Horror categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Ed Sanders, Tom Bott, Montanna Thompson or the visual majesty of its technical execution, Kill or be Killed is a significant contribution to the cinema of 2017. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Kill or be Killed stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.
Kill or be Killed is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Kill or be Killed may not be worth watching unless you are a die-hard fan.
Kill or be Killed may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Five years after the unusual deaths of a group of teenagers, paranormal investigator Max Archer interviews survivor Matt Swanson who is serving life in prison for the murder of his classmates - but Matt claims he is innocent and that the inhuman force that killed his friends is still after him. Matt recalls how he and his best friend Liam were ensnared into a deadly game of tag with their friends and why the game still isn't over.