La Ronde
Performance & Direction: La Ronde Review
Last updated: February 17, 2026
Quick Verdict: Hit or Flop?
Is La Ronde (1950) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 7.3/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Romance.
Cast Performances: A Masterclass
The success of any Romance is often anchored by its ensemble, and La Ronde features a noteworthy lineup led by Anton Walbrook . Supported by the likes of Simone Signoret and Serge Reggiani , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: La Ronde
Quick Plot Summary: Released in 1950, La Ronde is a Romance, Comedy, Drama film directed by Max Ophüls. The narrative explores the complexities of love and relationships with emotional depth and authenticity. This summary provides a scannable look at the movie's central conflict involving Anton Walbrook.
Ending Explained: La Ronde
Ending Breakdown: Directed by Max Ophüls, La Ronde resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to romance resolution.
The emotional climax centers on character transformation involving Anton Walbrook, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes with clear resolution of its central conflicts, providing closure while maintaining some ambiguity.
- Character Arcs: Main characters complete meaningful transformations, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the romance themes established throughout the runtime.
The final moments of La Ronde reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch La Ronde?
Worth Watching If You:
- Enjoy Romance films and don't mind familiar tropes
- Are a fan of Anton Walbrook or the director
- Want solid genre entertainment
Top Cast: La Ronde
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Where to Watch La Ronde Online?
Streaming Hub📺 Stream on
Criterion Channel
France Channel Amazon ChannelLa Ronde Parents Guide & Age Rating
1950 AdvisoryWondering about La Ronde age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of La Ronde is 95 minutes (1h 35m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 7.3/10, and global performance metrics, La Ronde is classified as a HIT. It remains an essential part of the 1950 cinematic calendar.
Frequently Asked Questions
Is La Ronde worth watching?
La Ronde is definitely worth watching if you enjoy Romance movies. It has a verified rating of 7.3/10 and stands as a HIT in our box office analysis.
Where can I find La Ronde parents guide and age rating?
The official parents guide for La Ronde identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of La Ronde?
The total duration of La Ronde is 95 minutes, which is approximately 1h 35m long.
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Critic Reviews for La Ronde
The hugely charismatic Anton Walbrook takes on the role of our guide - using a carousel quite effectively as his prop - through this charming tale of sex. Delicately delivered - nothing graphic, vulgar or sleazy, but it's essentially a story of sex - with or without love! Aside from underpinning the narrative, Walbrook also portrays half a dozen ancillary characters as we embark on a Viennese Waltz with a difference. Initially, it's the gorgeous lady of the night "Léocadie" (Simone Signoret) who ensnares the poverty stricken soldier "Franz" (Serge Reggiani) and then like a 4x400m relay race, he in turn has a dalliance with "Marie" (Simone Simon) who meets "Alfred" (Daniel Gélin) who himself has his own cougar in the form of "Emma" (Danielle Darrieux) who is married to the wealthy "Charles" (Fernand Gravey) who has his own regular assignation with... Ultimately it all comes full circle with poor old "Léocadie" again! There's an inevitability to the story, I suppose, but somehow that doesn't really matter. It's quite a potent, sometimes honest sometimes idealistic, sometimes just plain daft - series of delightfully delivered vignettes that depict human nature in quite a natural way. Those that want, want to have; those that have are always the ones who want more, or don't know what they want - the grass is always greener? The writing allows the talented array of actors assembled here to each shine (or even glow) in their own way and Christian Matras has created a clever accompaniment to our peccadillo-strewn adventures that partnered with the sagely interventions of Walbrook add up to a thoroughly enjoyable ninety minutes from Max Ophuls that looks great, makes us smile - and probably rings at least a little true for all of us.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










