Is La strada più lunga Worth Watching?
Answer: Yes, La strada più lunga is definitely worth watching if you enjoy War movies.
It features a runtime of 77 minutes and offers a standard storyline that appeals to general audiences.
Verdict:La strada più lunga is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.0/10, it has delivered a mixed experience for fans of the War genre.
Answer: Yes, La strada più lunga is definitely worth watching if you enjoy War movies.
It features a runtime of 77 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1965, La strada più lunga emerges as a significant entry in the War domain. The narrative core of the film focuses on a sophisticated exploration of Michele, a bourgeois intellectual, adhered to fascism for years. Unlike standard genre fare, La strada più lunga attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Nelo Risi, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the War elements serve the larger narrative arc rather than just providing spectacle.
The success of any War is often anchored by its ensemble, and La strada più lunga features a noteworthy lineup led by Gian Maria Volonté. Supported by the likes of Graziella Galvani and Augusto Mastrantoni, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Gian Maria Volonté, Graziella Galvani, Augusto Mastrantoni manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1965 cinema, these performances stand as a testament to the evolving standards of acting within the War space.
From a technical perspective, La strada più lunga is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of La strada più lunga follows a sophisticated brisk pace. Over its 77 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, La strada più lunga resonates with contemporary social and cultural themes prevalent in the War landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 6/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, La strada più lunga is more than just its synopsis. It is an inquiry into the boundaries of human experience. Michele, a bourgeois intellectual, adhered to fascism for years. After fighting abroad, he returns home in 1943, but is now tired and refuses to join the Republic of Salò. His comrades still want him with them, but this Social Republic, imposed by the SS arms, does not convince him. The war continues and the situation does not allow one to remain neutral.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of La strada più lunga (1965) is overwhelmingly divisive. With an audience rating of 6/10 and strong performance metrics in the War categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Gian Maria Volonté, Graziella Galvani, Augusto Mastrantoni or the visual majesty of its technical execution, La strada più lunga is a significant contribution to the cinema of 1965. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 6/10, and global collection metrics, La strada più lunga stands as a challenging project for the creators. It remains an essential piece of the 1965 cinematic year.
La strada più lunga has received mixed reviews with a 6/10 rating, making it a moderate success with the audience.
La strada più lunga is a mixed bag. It might be worth watching if you're a fan of War movies, but read reviews first.
La strada più lunga may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Michele, a bourgeois intellectual, adhered to fascism for years. After fighting abroad, he returns home in 1943, but is now tired and refuses to join the Republic of Salò. His comrades still want him with them, but this Social Republic, imposed by the SS arms, does not convince him. The war continues and the situation does not allow one to remain neutral.