Is Le Cirque: A Table in Heaven Worth Watching?
Answer: Maybe not, Le Cirque: A Table in Heaven is likely a skip if you enjoy Documentary movies.
It features a runtime of 78 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Le Cirque: A Table in Heaven is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.5/10, it has delivered a mixed experience for fans of the Documentary genre.
Answer: Maybe not, Le Cirque: A Table in Heaven is likely a skip if you enjoy Documentary movies.
It features a runtime of 78 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2007, Le Cirque: A Table in Heaven emerges as a significant entry in the Documentary domain. The narrative core of the film focuses on a sophisticated exploration of At the end of 2005, New York's famed restaurateur, Sirio Maccioni, closed Le Cirque, destination of the rich and famous. Unlike standard genre fare, Le Cirque: A Table in Heaven attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Andrew Rossi, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Documentary elements serve the larger narrative arc rather than just providing spectacle.
The success of any Documentary is often anchored by its ensemble, and Le Cirque: A Table in Heaven features a noteworthy lineup led by Tony Bennett. Supported by the likes of Joan Collins and Bill Cosby, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Tony Bennett, Joan Collins, Bill Cosby manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2007 cinema, these performances stand as a testament to the evolving standards of acting within the Documentary space.
From a technical perspective, Le Cirque: A Table in Heaven is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Le Cirque: A Table in Heaven follows a sophisticated brisk pace. Over its 78 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Le Cirque: A Table in Heaven resonates with contemporary social and cultural themes prevalent in the Documentary landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.5/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Le Cirque: A Table in Heaven is more than just its synopsis. It is an inquiry into the boundaries of human experience. At the end of 2005, New York's famed restaurateur, Sirio Maccioni, closed Le Cirque, destination of the rich and famous. During 2006, he and his three sons, open a new Le Cirque, taking four months longer and $4 million more than planned. The film follows this process, the new restaurant's opening, and the emotional impact of two New York Times reviews over the next few months. Maccioni, in his 70s, seems tired, chained to his work for his sons's sake; then, the restaurant opens and his indefatigable charm returns. It's a roller coaster ride. At the film's end, Maccioni, with a small Gucci bag on his hip, receives communion in a church in his home town of Montecatini Italy.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Le Cirque: A Table in Heaven (2007) is overwhelmingly divisive. With an audience rating of 5.5/10 and strong performance metrics in the Documentary categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Tony Bennett, Joan Collins, Bill Cosby or the visual majesty of its technical execution, Le Cirque: A Table in Heaven is a significant contribution to the cinema of 2007. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
PhiloAnalyzing the audience sentiment, IMDb rating of 5.5/10, and global collection metrics, Le Cirque: A Table in Heaven stands as a challenging project for the creators. It remains an essential piece of the 2007 cinematic year.
Le Cirque: A Table in Heaven has received mixed reviews with a 5.5/10 rating, making it a moderate success with the audience.
Le Cirque: A Table in Heaven is a mixed bag. It might be worth watching if you're a fan of Documentary movies, but read reviews first.
Le Cirque: A Table in Heaven is currently available for streaming on Philo. You can also check for it on platforms like Philo depending on your region.
At the end of 2005, New York's famed restaurateur, Sirio Maccioni, closed Le Cirque, destination of the rich and famous. During 2006, he and his three sons, open a new Le Cirque, taking four months longer and $4 million more than planned. The film follows this process, the new restaurant's opening, and the emotional impact of two New York Times reviews over the next few months. Maccioni, in his 70s, seems tired, chained to his work for his sons's sake; then, the restaurant opens and his indefatigable charm returns. It's a roller coaster ride. At the film's end, Maccioni, with a small Gucci bag on his hip, receives communion in a church in his home town of Montecatini Italy.