Is Madness Worth Watching?
Answer: Maybe not, Madness is likely a skip if you enjoy Horror movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Madness is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 2.3/10, it has delivered a mixed experience for fans of the Horror genre.
Answer: Maybe not, Madness is likely a skip if you enjoy Horror movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2010, Madness emerges as a significant entry in the Horror domain. The narrative core of the film focuses on a sophisticated exploration of Friends Jenna and Tarra are on their way to a cheerleading contest when they decide to stop at a gas station to help two guys, Oliver and Chad, who are experiencing some engine problems. Unlike standard genre fare, Madness attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Sonny Laguna, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Horror elements serve the larger narrative arc rather than just providing spectacle.
The success of any Horror is often anchored by its ensemble, and Madness features a noteworthy lineup led by Anna Adolfsson. Supported by the likes of Victoria Bloom and Yohanna Idha, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Anna Adolfsson, Victoria Bloom, Yohanna Idha manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2010 cinema, these performances stand as a testament to the evolving standards of acting within the Horror space.
From a technical perspective, Madness is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Madness follows a sophisticated brisk pace. Over its 94 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Madness resonates with contemporary social and cultural themes prevalent in the Horror landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 2.3/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Madness is more than just its synopsis. It is an inquiry into the boundaries of human experience. Friends Jenna and Tarra are on their way to a cheerleading contest when they decide to stop at a gas station to help two guys, Oliver and Chad, who are experiencing some engine problems. What they don't know is that they are being watched by a group of deranged madman whose only intention is to hunt them down and kill them for pleasure. After being captured and locked up, survival is the only thing on the friends' minds, but just how far are they willing to go?
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Madness (2010) is overwhelmingly negative. With an audience rating of 2.3/10 and strong performance metrics in the Horror categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Anna Adolfsson, Victoria Bloom, Yohanna Idha or the visual majesty of its technical execution, Madness is a significant contribution to the cinema of 2010. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Franatic Amazon ChannelAnalyzing the audience sentiment, IMDb rating of 2.3/10, and global collection metrics, Madness stands as a challenging project for the creators. It remains an essential piece of the 2010 cinematic year.
Madness is considered a flop based on audience ratings of 2.3/10 and lower collections.
Based on the low rating of 2.3/10, Madness may not be worth watching unless you are a die-hard fan.
Madness is currently available for streaming on Franatic Amazon Channel. You can also check for it on platforms like Franatic Amazon Channel depending on your region.
Friends Jenna and Tarra are on their way to a cheerleading contest when they decide to stop at a gas station to help two guys, Oliver and Chad, who are experiencing some engine problems. What they don't know is that they are being watched by a group of deranged madman whose only intention is to hunt them down and kill them for pleasure. After being captured and locked up, survival is the only thing on the friends' minds, but just how far are they willing to go?