Miranda
Performance & Direction: Miranda Review
Last updated: March 12, 2026
Quick Verdict: Hit or Flop?
Is Miranda (1948) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 6.1/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Comedy.
Cast Performances: A Masterclass
The success of any Comedy is often anchored by its ensemble, and Miranda features a noteworthy lineup led by Glynis Johns . Supported by the likes of Googie Withers and Griffith Jones , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Miranda
Quick Plot Summary: Released in 1948, Miranda is a Comedy, Fantasy, Romance film directed by Ken Annakin. The narrative brings laughter through sharp writing and comedic timing, providing amusement while touching on deeper societal themes. This summary provides a scannable look at the movie's central conflict involving Glynis Johns.
Ending Explained: Miranda
Ending Breakdown: Directed by Ken Annakin, Miranda concludes its story with a mix of closure and open interpretation. The finale presents its approach to comedy resolution.
The conclusion addresses the core thematic questions involving Glynis Johns, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the comedy themes established throughout the runtime.
The final moments of Miranda reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Miranda?
Worth Watching If You:
- Enjoy Comedy films and don't mind familiar tropes
- Are a fan of Glynis Johns or the director
- Want some laughs and light entertainment
Box Office Collection: Miranda
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $784.2K |
| Worldwide Gross | $834.3K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
Miranda Budget
The estimated production budget for Miranda is $784.2K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: Miranda
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Miranda Parents Guide & Age Rating
1948 AdvisoryWondering about Miranda age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Miranda is 80 minutes (1h 20m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.1/10, and global performance metrics, Miranda is classified as a ABOVE AVERAGE. It remains an essential part of the 1948 cinematic calendar.
Frequently Asked Questions
Is Miranda worth watching?
Miranda is definitely worth watching if you enjoy Comedy movies. It has a verified rating of 6.1/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find Miranda parents guide and age rating?
The official parents guide for Miranda identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Miranda?
The total duration of Miranda is 80 minutes, which is approximately 1h 20m long.
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Critic Reviews for Miranda
This is a rather harmless old black and white comedy-fantasy. I had never heard of it before this opportunity came along to watch it, and the only name I recognized was jolly Margaret Rutherford, a familiar and very busy character actress for decades. Glynis Johns carries the film with her pretty face, blond hair and vibrant personality. The fantasy aspect is that she plays a mermaid. It is not a classic to join ones on my shelf for multiple viewings, but it is entertaining enough to be worth the time. Miranda is the mermaid that a doctor brings home from a fishing trip, whereupon every man in sight falls for her like a shot. (Listen, guys, you carry her across the room with her arms around your neck and see if you don’t fall for her.) The dialogue is crisp, often witty, and sounds modern, not very dated at all. Though the aquatic puns and plays on words fall flat once in a while. (Which is why I am not using descriptive phrases, like saying that the plot moved along swimmingly,) Miranda gets away with a lot as a character, partly because she is young and sweet, and also because Doc is passing off her Fish-fin lower body as her being a paraplegic. Just as, for example, the Dudley Moore title character in Arthur can say anything with drunken impunity (well, until he meets Liza Minnelli), so can Miranda be risqué and come out with double entendres without the women folk throwing her back into the drink. The ending was rather predictable to me, but there weren’t many places it could go, and it was handled with aplomb. I especially thought the doctor’s wife’s character was well-written, as played by Google Withers. She seemed sure of her husband’s love for her, and her tolerance drove the plot and allowed it to seem more realistic, within the constraint of there being a mermaid, of course! Interestingly, there seems to have been a sequel, called Mad About Men, in 1954, with only Miranda and Nurse Cary (Rutherford) repeating their roles.
Griffiths Jones is ("Dr. Paul Martin") who leaves his wife to go on a Cornish fishing trip where he falls foul of mischievous mermaid "Miranda" (Glynis Johns) who holds him captive in her underwater grotto. Her condition for release is that he take her to London where, abetted by Margaret Rutherford as "Nurse Carey" she wreaks havoc, flirting with all the men she meets. It's a rather one-joke film that starts engagingly enough, but as the joke grows thin - and, frankly, preposterous, the performance of Johns starts to grate a little. Googie Withers is quite good as the doctor's somewhat sceptical wife, as is David Tomlinson as their rather hapless chauffeur but - like her tail - the story is just a bit thin and flails about a bit too much as it drifts from comedy to romantic melodrama
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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