Is New Year Worth Watching?
Answer: Yes, New Year is definitely worth watching if you enjoy Crime movies.
It features a runtime of 126 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:New Year is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.0/10, it has delivered a mixed experience for fans of the Crime, Mystery genre.
Answer: Yes, New Year is definitely worth watching if you enjoy Crime movies.
It features a runtime of 126 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1989, New Year emerges as a significant entry in the Crime, Mystery domain. The narrative core of the film focuses on a sophisticated exploration of A businessman (Prathapachandran) gets murdered by his driver. Unlike standard genre fare, New Year attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Viji Thamby, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Crime elements serve the larger narrative arc rather than just providing spectacle.
The success of any Crime is often anchored by its ensemble, and New Year features a noteworthy lineup led by Jayaram. Supported by the likes of Suresh Gopi and Urvashi, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Jayaram, Suresh Gopi, Urvashi manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1989 cinema, these performances stand as a testament to the evolving standards of acting within the Crime, Mystery space.
From a technical perspective, New Year is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of New Year follows a sophisticated brisk pace. Over its 126 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, New Year resonates with contemporary social and cultural themes prevalent in the Crime landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 6/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, New Year is more than just its synopsis. It is an inquiry into the boundaries of human experience. A businessman (Prathapachandran) gets murdered by his driver. His daughter Rekha (Urvashi) is married to Vinod (Suresh Gopi) who is more interested in taking over the business than taking care of his wife. Rekha's erstwhile boyfriend Ajith (Jayaram) who's now in the army is more sympathetic to her, but Vinod gets suspicious about their relationship.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of New Year (1989) is overwhelmingly divisive. With an audience rating of 6/10 and strong performance metrics in the Crime, Mystery categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Jayaram, Suresh Gopi, Urvashi or the visual majesty of its technical execution, New Year is a significant contribution to the cinema of 1989. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Eros Now Select Apple TV ChannelAnalyzing the audience sentiment, IMDb rating of 6/10, and global collection metrics, New Year stands as a challenging project for the creators. It remains an essential piece of the 1989 cinematic year.
New Year has received mixed reviews with a 6/10 rating, making it a moderate success with the audience.
New Year is a mixed bag. It might be worth watching if you're a fan of Crime, Mystery movies, but read reviews first.
New Year is currently available for streaming on Eros Now Select Apple TV Channel. You can also check for it on platforms like Eros Now Select Apple TV Channel depending on your region.
A businessman (Prathapachandran) gets murdered by his driver. His daughter Rekha (Urvashi) is married to Vinod (Suresh Gopi) who is more interested in taking over the business than taking care of his wife. Rekha's erstwhile boyfriend Ajith (Jayaram) who's now in the army is more sympathetic to her, but Vinod gets suspicious about their relationship.