Is Night Terror Worth Watching?
Answer: Maybe not, Night Terror is likely a skip if you enjoy Comedy movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to mature audiences.
Verdict:Night Terror is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Comedy, Horror genre.
Answer: Maybe not, Night Terror is likely a skip if you enjoy Comedy movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1914, Night Terror emerges as a significant entry in the Comedy, Horror domain. The narrative core of the film focuses on a sophisticated exploration of The name day of Mr. Unlike standard genre fare, Night Terror attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Jan A. Palouš, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and Night Terror features a noteworthy lineup led by Alois Charvát. Supported by the likes of Růžena Šlemrová and Richard Menšík, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Alois Charvát, Růžena Šlemrová, Richard Menšík manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1914 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy, Horror space.
From a technical perspective, Night Terror is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Night Terror follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Night Terror resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Night Terror is more than just its synopsis. It is an inquiry into the boundaries of human experience. The name day of Mr. Fiala: The husband catches his wife with his friend. In the ensuing argument the husband is insulted and attacked. The lovers believe him to be dead and carry him from the house out into the street. Drunkards find him there and they think they have have killed him. They stand him against a wall with his face in the window of a miser who has just been counting his money. The miser punches the man in the head and takes the "corpse" to river and throws it in.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Night Terror (1914) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Comedy, Horror categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Alois Charvát, Růžena Šlemrová, Richard Menšík or the visual majesty of its technical execution, Night Terror is a significant contribution to the cinema of 1914. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Night Terror stands as a challenging project for the creators. It remains an essential piece of the 1914 cinematic year.
Night Terror is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Night Terror may not be worth watching unless you are a die-hard fan.
Night Terror may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The name day of Mr. Fiala: The husband catches his wife with his friend. In the ensuing argument the husband is insulted and attacked. The lovers believe him to be dead and carry him from the house out into the street. Drunkards find him there and they think they have have killed him. They stand him against a wall with his face in the window of a miser who has just been counting his money. The miser punches the man in the head and takes the "corpse" to river and throws it in.