Is Normal Holidays Worth Watching?
Answer: Maybe not, Normal Holidays is likely a skip if you enjoy Drama movies.
It features a runtime of 24 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Normal Holidays is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 1.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, Normal Holidays is likely a skip if you enjoy Drama movies.
It features a runtime of 24 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2020, Normal Holidays emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of Summer 1996. Unlike standard genre fare, Normal Holidays attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Margot Bernard, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Normal Holidays features a noteworthy lineup led by Sofia Roser. Supported by the likes of Axel Guionnet and Jarod Levy, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Sofia Roser, Axel Guionnet, Jarod Levy manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2020 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Normal Holidays is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Normal Holidays follows a sophisticated brisk pace. Over its 24 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Normal Holidays resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 1/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Normal Holidays is more than just its synopsis. It is an inquiry into the complexity of relationships. Summer 1996. Roma is seven years old and what she likes most is to make arrows with Louis, her older brother. Their mother, Florence, doesn't seem in a rush for their in-laws to join them in the Jura for a few days vacation. If we look closely, nor does little Roma. Why do we have a strange feeling of uneasiness hovering in the family home and that, between mistrust and denial, it is part and parcel of this normal vacation?
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Normal Holidays (2020) is overwhelmingly negative. With an audience rating of 1/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Sofia Roser, Axel Guionnet, Jarod Levy or the visual majesty of its technical execution, Normal Holidays is a significant contribution to the cinema of 2020. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 1/10, and global collection metrics, Normal Holidays stands as a challenging project for the creators. It remains an essential piece of the 2020 cinematic year.
Normal Holidays is considered a flop based on audience ratings of 1/10 and lower collections.
Based on the low rating of 1/10, Normal Holidays may not be worth watching unless you are a die-hard fan.
Normal Holidays may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Summer 1996. Roma is seven years old and what she likes most is to make arrows with Louis, her older brother. Their mother, Florence, doesn't seem in a rush for their in-laws to join them in the Jura for a few days vacation. If we look closely, nor does little Roma. Why do we have a strange feeling of uneasiness hovering in the family home and that, between mistrust and denial, it is part and parcel of this normal vacation?