Is November 30th Worth Watching?
Answer: Maybe not, November 30th is likely a skip if you enjoy Drama movies.
It features a runtime of 116 minutes and offers a standard storyline that appeals to general audiences.

Verdict:November 30th is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 3.8/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, November 30th is likely a skip if you enjoy Drama movies.
It features a runtime of 116 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1995, November 30th emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of On November 30th (the date when King Karl XII died) there will usually be demonstrations by hyper-national and neo-Nazi groups, and also democratic counter demonstrations. Unlike standard genre fare, November 30th attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Daniel Fridell, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and November 30th features a noteworthy lineup led by Göran Gillinger. Supported by the likes of María Celedonio and Ray Jones IV, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Göran Gillinger, María Celedonio, Ray Jones IV manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1995 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, November 30th is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of November 30th follows a sophisticated brisk pace. Over its 116 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, November 30th resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 3.8/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, November 30th is more than just its synopsis. It is an inquiry into the complexity of relationships. On November 30th (the date when King Karl XII died) there will usually be demonstrations by hyper-national and neo-Nazi groups, and also democratic counter demonstrations. The plot of "West Side Story" is transferred to the Stockholmian suburb Alby where many immigrants live. But the film is no plagiarism, in particular no so because many scenes have the intensive character of live transmission. The boy (Adam) belongs to a Nazi group whose racial attitude is foremost directed against immigrants with 'wrong' colour of hair or skin. The girl (Julia) belongs to a family of political fugitives from Peru. Adam and Julia immediately fall in great and reciprocal love, and there are highly emotional love scenes. Therefore Adam breaks with his group. But when his best friend is killed by Julia's brother, he kills the brother. In turn the couple is hunted by the police and Julia's relatives. Both Adam and Julia are finally murdered. The film takes no step toward reconciliation.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of November 30th (1995) is overwhelmingly negative. With an audience rating of 3.8/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Göran Gillinger, María Celedonio, Ray Jones IV or the visual majesty of its technical execution, November 30th is a significant contribution to the cinema of 1995. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
TV 2
Allente
Apple TV
Amazon Video
Apple TV
Amazon VideoAnalyzing the audience sentiment, IMDb rating of 3.8/10, and global collection metrics, November 30th stands as a challenging project for the creators. It remains an essential piece of the 1995 cinematic year.
November 30th is considered a flop based on audience ratings of 3.8/10 and lower collections.
Based on the low rating of 3.8/10, November 30th may not be worth watching unless you are a die-hard fan.
November 30th is currently available for streaming on TV 2. You can also check for it on platforms like TV 2, Allente depending on your region.
On November 30th (the date when King Karl XII died) there will usually be demonstrations by hyper-national and neo-Nazi groups, and also democratic counter demonstrations. The plot of "West Side Story" is transferred to the Stockholmian suburb Alby where many immigrants live. But the film is no plagiarism, in particular no so because many scenes have the intensive character of live transmission. The boy (Adam) belongs to a Nazi group whose racial attitude is foremost directed against immigrants with 'wrong' colour of hair or skin. The girl (Julia) belongs to a family of political fugitives from Peru. Adam and Julia immediately fall in great and reciprocal love, and there are highly emotional love scenes. Therefore Adam breaks with his group. But when his best friend is killed by Julia's brother, he kills the brother. In turn the couple is hunted by the police and Julia's relatives. Both Adam and Julia are finally murdered. The film takes no step toward reconciliation.