Is Objects in Mirror Worth Watching?
Answer: Maybe not, Objects in Mirror is likely a skip if you enjoy Drama movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Objects in Mirror is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama, Family genre.
Answer: Maybe not, Objects in Mirror is likely a skip if you enjoy Drama movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2015, Objects in Mirror emerges as a significant entry in the Drama, Family domain. The narrative core of the film focuses on a sophisticated exploration of Leila, a young provincial girl, has recently married and now lives in Tehran. Unlike standard genre fare, Objects in Mirror attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Narges Abyar, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Objects in Mirror features a noteworthy lineup led by Gelare Abbasi. Supported by the likes of Nazanin Babaei and Hessam Bigdelu, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Gelare Abbasi, Nazanin Babaei, Hessam Bigdelu manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2015 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Family space.
From a technical perspective, Objects in Mirror is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Objects in Mirror follows a sophisticated brisk pace. Over its 94 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Objects in Mirror resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Objects in Mirror is more than just its synopsis. It is an inquiry into the complexity of relationships. Leila, a young provincial girl, has recently married and now lives in Tehran. She and her husband are tenants to a pair of sweet, old ladies named Eti and Aziz. In matters of daily life and her relationship with her husband, Leila deals with all the same feminine preoccupations and concerns... until the event of a party shakes her foundations and turns her simple life upside down.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Objects in Mirror (2015) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama, Family categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Gelare Abbasi, Nazanin Babaei, Hessam Bigdelu or the visual majesty of its technical execution, Objects in Mirror is a significant contribution to the cinema of 2015. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $10K |
| Worldwide Gross | $100K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Objects in Mirror is $10K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Objects in Mirror stands as a challenging project for the creators. It remains an essential piece of the 2015 cinematic year.
Objects in Mirror is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Objects in Mirror may not be worth watching unless you are a die-hard fan.
Objects in Mirror may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Leila, a young provincial girl, has recently married and now lives in Tehran. She and her husband are tenants to a pair of sweet, old ladies named Eti and Aziz. In matters of daily life and her relationship with her husband, Leila deals with all the same feminine preoccupations and concerns... until the event of a party shakes her foundations and turns her simple life upside down.