Is Oblomov Worth Watching?
Answer: Yes, Oblomov is definitely worth watching if you enjoy Drama movies.
It features a runtime of 0 minutes and offers a solid storyline that appeals to general audiences.
Verdict:Oblomov is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.0/10, it has delivered a compelling experience for fans of the Drama, Comedy, TV Movie genre.
Answer: Yes, Oblomov is definitely worth watching if you enjoy Drama movies.
It features a runtime of 0 minutes and offers a solid storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1964, Oblomov emerges as a significant entry in the Drama, Comedy, TV Movie domain. The narrative core of the film focuses on a sophisticated exploration of The dramatization of the novel depicts a period when the patriarchal way of life in Russia was coming to an end and the aristocratic-landowner world, with its philosophy of life and hierarchy of values, was giving way to new forces. Unlike standard genre fare, Oblomov attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Magda Husáková-Lokvencová, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Oblomov features a noteworthy lineup led by Ctibor Filčík. Supported by the likes of František Dibarbora and Martin Gregor, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Ctibor Filčík, František Dibarbora, Martin Gregor manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1964 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Comedy, TV Movie space.
From a technical perspective, Oblomov is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Oblomov follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Oblomov resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 7/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Oblomov is more than just its synopsis. It is an inquiry into the complexity of relationships. The dramatization of the novel depicts a period when the patriarchal way of life in Russia was coming to an end and the aristocratic-landowner world, with its philosophy of life and hierarchy of values, was giving way to new forces. Oblomov is an organic part of the environment in which he lives. He is as closed off as Oblomovka and its inhabitants. He lives his life on the sofa and finds all the hustle and bustle of his contemporaries meaningless. The principle of his existence is peaceful lethargy, an effort to isolate himself from the flow of events and time. His opposite is his friend Stolz, whose philosophy of life presupposes constant movement and entrepreneurial spirit. He believes that man is capable of transforming the world with his energy and intellect. Oblomov's love for Olga, although reciprocated, is doomed to failure because they expect the impossible from each other – she expects decisiveness and action, he expects self-sacrificing love...
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Oblomov (1964) is overwhelmingly generally positive. With an audience rating of 7/10 and strong performance metrics in the Drama, Comedy, TV Movie categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Ctibor Filčík, František Dibarbora, Martin Gregor or the visual majesty of its technical execution, Oblomov is a significant contribution to the cinema of 1964. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 7/10, and global collection metrics, Oblomov stands as a successful venture for the creators. It remains an essential piece of the 1964 cinematic year.
Oblomov is considered a hit based on audience response and box office performance. With a rating of 7/10, it's highly recommended for fans of Drama, Comedy, TV Movie movies.
Yes, Oblomov is definitely worth watching! It's a must-watch hit for fans of Drama, Comedy, TV Movie cinema.
Oblomov may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The dramatization of the novel depicts a period when the patriarchal way of life in Russia was coming to an end and the aristocratic-landowner world, with its philosophy of life and hierarchy of values, was giving way to new forces. Oblomov is an organic part of the environment in which he lives. He is as closed off as Oblomovka and its inhabitants. He lives his life on the sofa and finds all the hustle and bustle of his contemporaries meaningless. The principle of his existence is peaceful lethargy, an effort to isolate himself from the flow of events and time. His opposite is his friend Stolz, whose philosophy of life presupposes constant movement and entrepreneurial spirit. He believes that man is capable of transforming the world with his energy and intellect. Oblomov's love for Olga, although reciprocated, is doomed to failure because they expect the impossible from each other – she expects decisiveness and action, he expects self-sacrificing love...