Is Odcházení Worth Watching?
Answer: Maybe not, Odcházení is likely a skip if you enjoy Comedy movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Odcházení is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.6/10, it has delivered a mixed experience for fans of the Comedy, Drama genre.
Answer: Maybe not, Odcházení is likely a skip if you enjoy Comedy movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2011, Odcházení emerges as a significant entry in the Comedy, Drama domain. The narrative core of the film focuses on a sophisticated exploration of A bitter sweet comedy that follows a highly appointed Chancellor who set to step down from his position after years of service to his country. Unlike standard genre fare, Odcházení attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Václav Havel, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and Odcházení features a noteworthy lineup led by Josef Abrhám. Supported by the likes of Vlasta Chramostová and Dagmar Havlová Veškrnová, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Josef Abrhám, Vlasta Chramostová, Dagmar Havlová Veškrnová manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2011 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy, Drama space.
From a technical perspective, Odcházení is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Odcházení follows a sophisticated brisk pace. Over its 94 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Odcházení resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.6/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Odcházení is more than just its synopsis. It is an inquiry into the boundaries of human experience. A bitter sweet comedy that follows a highly appointed Chancellor who set to step down from his position after years of service to his country. With just two last days left to enjoy his palatial villa before he is finally evicted, his situation gradually goes from bad to worse.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Odcházení (2011) is overwhelmingly divisive. With an audience rating of 5.6/10 and strong performance metrics in the Comedy, Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Josef Abrhám, Vlasta Chramostová, Dagmar Havlová Veškrnová or the visual majesty of its technical execution, Odcházení is a significant contribution to the cinema of 2011. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
YouTubeAnalyzing the audience sentiment, IMDb rating of 5.6/10, and global collection metrics, Odcházení stands as a challenging project for the creators. It remains an essential piece of the 2011 cinematic year.
Odcházení has received mixed reviews with a 5.6/10 rating, making it a moderate success with the audience.
Odcházení is a mixed bag. It might be worth watching if you're a fan of Comedy, Drama movies, but read reviews first.
Odcházení may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
A bitter sweet comedy that follows a highly appointed Chancellor who set to step down from his position after years of service to his country. With just two last days left to enjoy his palatial villa before he is finally evicted, his situation gradually goes from bad to worse.