Is On the Level Worth Watching?
Answer: Maybe not, On the Level is likely a skip if you enjoy Western movies.
It features a runtime of 50 minutes and offers a standard storyline that appeals to general audiences.
Verdict:On the Level is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Western genre.
Answer: Maybe not, On the Level is likely a skip if you enjoy Western movies.
It features a runtime of 50 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1917, On the Level emerges as a significant entry in the Western domain. The narrative core of the film focuses on a sophisticated exploration of Rustler Pete Sontag kidnaps Merlin Warner after he kills her father. Unlike standard genre fare, On the Level attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of George Melford, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Western elements serve the larger narrative arc rather than just providing spectacle.
The success of any Western is often anchored by its ensemble, and On the Level features a noteworthy lineup led by Fannie Ward. Supported by the likes of Jack Dean and Harrison Ford, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Fannie Ward, Jack Dean, Harrison Ford manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1917 cinema, these performances stand as a testament to the evolving standards of acting within the Western space.
From a technical perspective, On the Level is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of On the Level follows a sophisticated brisk pace. Over its 50 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, On the Level resonates with contemporary social and cultural themes prevalent in the Western landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, On the Level is more than just its synopsis. It is an inquiry into the boundaries of human experience. Rustler Pete Sontag kidnaps Merlin Warner after he kills her father. Pete, a drug smuggler who uses his saloon as a front, coerces Merlin though beatings to become the dancer Mexicali Mae. She meets and falls in love with morphine addict Joe Blanchard but Pete frames Joe for a murder that he committed, forcing Mae to hide Joe in a homestead in the hills. After many struggles, Joe is cured of his addiction and proposes to Mae. She accepts, but when his mother and fiancée Eleanor arrive, they offer her money to leave, Mae refuses the money but becomes convinced that she is not good enough for Joe and writes to him that she is returning to the saloon. Joe learning of his mother’s plot arrives at the saloon and in the resultant fight Pete is killed. Mae and Joe are reconciled.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of On the Level (1917) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Western categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Fannie Ward, Jack Dean, Harrison Ford or the visual majesty of its technical execution, On the Level is a significant contribution to the cinema of 1917. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, On the Level stands as a challenging project for the creators. It remains an essential piece of the 1917 cinematic year.
On the Level is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, On the Level may not be worth watching unless you are a die-hard fan.
On the Level may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Rustler Pete Sontag kidnaps Merlin Warner after he kills her father. Pete, a drug smuggler who uses his saloon as a front, coerces Merlin though beatings to become the dancer Mexicali Mae. She meets and falls in love with morphine addict Joe Blanchard but Pete frames Joe for a murder that he committed, forcing Mae to hide Joe in a homestead in the hills. After many struggles, Joe is cured of his addiction and proposes to Mae. She accepts, but when his mother and fiancée Eleanor arrive, they offer her money to leave, Mae refuses the money but becomes convinced that she is not good enough for Joe and writes to him that she is returning to the saloon. Joe learning of his mother’s plot arrives at the saloon and in the resultant fight Pete is killed. Mae and Joe are reconciled.