Is One in Five Worth Watching?
Answer: Maybe not, One in Five is likely a skip if you enjoy Documentary movies.
It features a runtime of 52 minutes and offers a standard storyline that appeals to general audiences.
Verdict:One in Five is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Documentary genre.
Answer: Maybe not, One in Five is likely a skip if you enjoy Documentary movies.
It features a runtime of 52 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1982, One in Five emerges as a significant entry in the Documentary domain. The narrative core of the film focuses on a sophisticated exploration of Invites a diverse throng of gay men and lesbians to a party in the hallowed arches of London’s Heaven nightclub. Unlike standard genre fare, One in Five attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Paul Oremland, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Documentary elements serve the larger narrative arc rather than just providing spectacle.
The success of any Documentary is often anchored by its ensemble, and One in Five features a noteworthy lineup led by Grace Jones. Supported by the likes of Graham Chapman and Tim Fry, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Grace Jones, Graham Chapman, Tim Fry manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1982 cinema, these performances stand as a testament to the evolving standards of acting within the Documentary space.
From a technical perspective, One in Five is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of One in Five follows a sophisticated brisk pace. Over its 52 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, One in Five resonates with contemporary social and cultural themes prevalent in the Documentary landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, One in Five is more than just its synopsis. It is an inquiry into the boundaries of human experience. Invites a diverse throng of gay men and lesbians to a party in the hallowed arches of London’s Heaven nightclub. Lesbian punks, drag queens and moustachioed muscle Marys mingle and chat about the problems facing queer people in Britain and how to tackle them. Grace Jones performs.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of One in Five (1982) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Documentary categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Grace Jones, Graham Chapman, Tim Fry or the visual majesty of its technical execution, One in Five is a significant contribution to the cinema of 1982. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
BFI PlayerAnalyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, One in Five stands as a challenging project for the creators. It remains an essential piece of the 1982 cinematic year.
One in Five is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, One in Five may not be worth watching unless you are a die-hard fan.
One in Five may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Invites a diverse throng of gay men and lesbians to a party in the hallowed arches of London’s Heaven nightclub. Lesbian punks, drag queens and moustachioed muscle Marys mingle and chat about the problems facing queer people in Britain and how to tackle them. Grace Jones performs.