Is Only Time... Worth Watching?
Answer: Maybe not, Only Time... is likely a skip if you enjoy Drama movies.
It features a runtime of 95 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Only Time... is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, Only Time... is likely a skip if you enjoy Drama movies.
It features a runtime of 95 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 2002, Only Time... emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of The last day of the year ends. Unlike standard genre fare, Only Time... attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Alla Surikova, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Only Time... features a noteworthy lineup led by Sofiko Chiaureli. Supported by the likes of Donatas Banionis and Zoya Buryak, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Sofiko Chiaureli, Donatas Banionis, Zoya Buryak manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2002 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Only Time... is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Only Time... follows a sophisticated brisk pace. Over its 95 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Only Time... resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Only Time... is more than just its synopsis. It is an inquiry into the complexity of relationships. The last day of the year ends. At the Christmas market, where a lot of people were still bustling during the day, in the evening there were only three snow-covered graces, three beautiful women. They have nowhere to hurry, no one is waiting for them at home. And here, at the Christmas market...
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Only Time... (2002) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Sofiko Chiaureli, Donatas Banionis, Zoya Buryak or the visual majesty of its technical execution, Only Time... is a significant contribution to the cinema of 2002. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Only Time... stands as a challenging project for the creators. It remains an essential piece of the 2002 cinematic year.
Only Time... is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Only Time... may not be worth watching unless you are a die-hard fan.
Only Time... may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The last day of the year ends. At the Christmas market, where a lot of people were still bustling during the day, in the evening there were only three snow-covered graces, three beautiful women. They have nowhere to hurry, no one is waiting for them at home. And here, at the Christmas market...