Orlando
Performance & Direction: Orlando Review
Last updated: February 17, 2026
Quick Verdict: Hit or Flop?
Is Orlando (1992) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.9/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and Orlando features a noteworthy lineup led by Tilda Swinton . Supported by the likes of Billy Zane and Lothaire Bluteau , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Orlando
Quick Plot Summary: Released in 1992, Orlando is a Drama, Fantasy film directed by Sally Potter. The narrative explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict involving Tilda Swinton.
Ending Explained: Orlando
Ending Breakdown: Directed by Sally Potter, Orlando concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation involving Tilda Swinton, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes established throughout the runtime.
The final moments of Orlando reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Orlando?
Worth Watching If You:
- Enjoy Drama films and don't mind familiar tropes
- Are a fan of Tilda Swinton or the director
- Want a character-driven story with emotional moments
Box Office Collection: Orlando
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $4.0M |
| Worldwide Gross | $5.4M |
| Trade Verdict | CLEAN HIT |
Orlando Budget
The estimated production budget for Orlando is $4.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: Orlando
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Where to Watch Orlando Online?
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1992 AdvisoryWondering about Orlando age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Orlando is 94 minutes (1h 34m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.9/10, and global performance metrics, Orlando is classified as a HIT. It remains an essential part of the 1992 cinematic calendar.
Frequently Asked Questions
Is Orlando worth watching?
Orlando is definitely worth watching if you enjoy Drama movies. It has a verified rating of 6.9/10 and stands as a HIT in our box office analysis.
Where can I find Orlando parents guide and age rating?
The official parents guide for Orlando identifies it as PG-13. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Orlando?
The total duration of Orlando is 94 minutes, which is approximately 1h 34m long.
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Critic Reviews for Orlando
**Based on a somewhat controversial novel, it tackles gender issues and other deep subjects quite well.** “Orlando” is perhaps one of the most interesting and controversial novels by the equally controversial Virginia Woolf. The details of this writer's life are known: the sexual abuse she suffered in childhood, the depressive crises, the existential doubts she experienced all her life, her bisexuality. And “Orlando” was born in this context: it is the result of the relationship between Woolf and Victoria Sackville West, an aristocrat who maintained an open marriage, in which she could live her sexuality with other women. To what extent have Victoria or the author herself, at certain moments, not wanted or fantasized about an eventual sex change? I don't know, however, I assume that Woolf's novel may be one of the first literary works to explore the possibility of transsexuality. The film doesn't do much more than transport Woolf's words to the screen, recreating a story where a young androgynous English aristocrat of the Elizabethan court, Lord Orlando, finds himself the object of the affection of the old queen, who gives him various goods and perks. on condition that he can never grow old or die, which actually happens! Thus, “blessed” (the eventual negative consequences are never addressed) in this way, Orlando crosses the centuries without aging a day, lives in love and gets to know other countries. At one point, he is possessed by a sleep he cannot wake up from, and when he finally wakes up, he has mysteriously become a woman, and spends the next two hundred years proving that not only did he never die, he changed sex. And the years go by, with the film ending in our days. The film is responsible for boosting the film career of Tilda Swinton, a British actress who, even before making this film, was already pursuing a somewhat androgynous aesthetic look, perhaps due to having spent her childhood as the only girl among several male brothers. . The truth is that the film contributed decisively to the actress's career. She dominates the film and gives us a superb performance. John Wood and Quentin Crisp also do great value work. Technically, what stands out the most about this film is the cinematography, very careful and beautiful, and the smooth but consistent pace of a film that can take a while to convince viewers, but manages to do it and keeps our attention until at end. Filmed largely on British soil, it makes good use of various aristocratic houses as part of its set, and all the costumes, for each historical era, were really well done.
Tilda Swinton is superb in this story of the eponymous Tudor noble who obeys a command from the enamoured Queen Elizabeth (Quentin Crisp) and refuses to grow old. The film now follows the adventures, loves and ultimately depicts how the character adapts - quite literally - as England becomes Britain and eventually he becomes free! The experiences as an ambassador in the middle east, the determination to retain the family property when the authorities begin to smell a rat, the arrival of a child - all build upon this wonderfully enigmatic Virginia Woolf creation that defies typical analysis. This is story of humanity and of it's own reluctance to embrace meaningful change as events and the environment relentlessly changes around it. Historical figures from Othello to King James I appear throughout this quirkily engaging chronology that is colourful, vibrant and enjoyably imaginative with this particular adaptation taking a little liberty with the book by extending the timeline into the more modern era. Whilst "Orlando" may evolve with some Hermaphroditic characteristics, they serve as a conduit to this story and are not overtly central to the action. It's that very gender ambiguity that becomes gradually better defined as if the immortal is emerging from a fog - and Sally Potter keeps that remarkably well focused for the ninety minutes of screen time we are presented with here. It is an hard film to evaluate, it may or will mean many different things to many different people, and that's what makes it very watchable indeed.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.









