Is Otello Worth Watching?
Answer: Maybe not, Otello is likely a skip if you enjoy Drama movies.
It features a runtime of 151 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Otello is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama, Music genre.
Answer: Maybe not, Otello is likely a skip if you enjoy Drama movies.
It features a runtime of 151 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 11, 2026
Released in 2006, Otello enters the Drama genre with a narrative focused on José Cura sings and acts here with an inwardness and intensity which make a profound impression. Under the direction of Ángel Luis Ramírez, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from José Cura. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, Otello offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. While the 4K mastering highlights the production value, the pacing during its 151-minute runtime can feel deliberate.
Beyond the narrative, Otello resonates with current cultural themes in the Drama space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, Otello is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of Otello centers on a unique premise within the Drama landscape. José Cura sings and acts here with an inwardness and intensity which make a profound impression. So does Krassimira Stoyanova as Desdemona, not in the first flush of youth, but heartfelt and direct; while Lado Ataneli's Jago is a brilliantly understated study in jovial malevolence. With strong conducting from Antoni Ros-Marbà, the whole cast collaborate to give us the truth of this desperately upsetting work, as no other DVD and few live performances I've seen of it ever have. The second act serves as a major turning point, leading to a climax that fans of 2006 cinema will find fairly predictable.
The ending of Otello has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a Otello sequel or a wider cinematic universe are already gaining traction.
Final verdict for Otello (2006): with an audience rating of 0/10, the reception has been negative. It is a recommended for fans of Drama, Music cinema who appreciate attention to detail.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Otello stands as a challenging project for the creators. It remains an essential piece of the 2006 cinematic year.
Otello is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Otello may not be worth watching unless you are a die-hard fan.
Otello may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Otello is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Otello may not be worth watching unless you are a die-hard fan.
Otello may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Otello is a Drama, Music movie that follows: José Cura sings and acts here with an inwardness and intensity which make a profound impression. So does Krassimira Stoyanova as Desdemona, not in the first flush of youth, but heartfelt and direct; w...
Otello is classified as Drama, Music. We recommend checking the official age rating before watching with children.
Otello is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
José Cura sings and acts here with an inwardness and intensity which make a profound impression. So does Krassimira Stoyanova as Desdemona, not in the first flush of youth, but heartfelt and direct; while Lado Ataneli's Jago is a brilliantly understated study in jovial malevolence. With strong conducting from Antoni Ros-Marbà, the whole cast collaborate to give us the truth of this desperately upsetting work, as no other DVD and few live performances I've seen of it ever have.
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