Is Our Indians Worth Watching?
Answer: Maybe not, Our Indians is likely a skip if you enjoy Documentary movies.
It features a runtime of 70 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Our Indians is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.5/10, it has delivered a mixed experience for fans of the Documentary genre.
Answer: Maybe not, Our Indians is likely a skip if you enjoy Documentary movies.
It features a runtime of 70 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1995, Our Indians emerges as a significant entry in the Documentary domain. The narrative core of the film focuses on a sophisticated exploration of Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic. Unlike standard genre fare, Our Indians attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Sylvio Back, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Documentary elements serve the larger narrative arc rather than just providing spectacle.
The success of any Documentary is often anchored by its ensemble, and Our Indians features a noteworthy lineup led by José Mayer.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of José Mayer manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1995 cinema, these performances stand as a testament to the evolving standards of acting within the Documentary space.
From a technical perspective, Our Indians is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Our Indians follows a sophisticated brisk pace. Over its 70 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Our Indians resonates with contemporary social and cultural themes prevalent in the Documentary landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.5/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Our Indians is more than just its synopsis. It is an inquiry into the boundaries of human experience. Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Our Indians (1995) is overwhelmingly divisive. With an audience rating of 5.5/10 and strong performance metrics in the Documentary categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from José Mayer or the visual majesty of its technical execution, Our Indians is a significant contribution to the cinema of 1995. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Belas Artes à La CarteAnalyzing the audience sentiment, IMDb rating of 5.5/10, and global collection metrics, Our Indians stands as a challenging project for the creators. It remains an essential piece of the 1995 cinematic year.
Our Indians has received mixed reviews with a 5.5/10 rating, making it a moderate success with the audience.
Our Indians is a mixed bag. It might be worth watching if you're a fan of Documentary movies, but read reviews first.
Our Indians is currently available for streaming on Belas Artes à La Carte. You can also check for it on platforms like Belas Artes à La Carte depending on your region.
Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.