Is Padre, patrón Worth Watching?
Answer: Maybe not, Padre, patrón is likely a skip if you enjoy Crime movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to mature audiences.
Verdict:Padre, patrón is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Crime genre.
Answer: Maybe not, Padre, patrón is likely a skip if you enjoy Crime movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1999, Padre, patrón emerges as a significant entry in the Crime domain. The narrative core of the film focuses on a sophisticated exploration of Mister Joaquim Pelletier and his wife request the services of the private detective Pepe Carvalho to find the murderer of their only son, Mariano. Unlike standard genre fare, Padre, patrón attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Emmanuelle Cuau , every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Crime elements serve the larger narrative arc rather than just providing spectacle.
The success of any Crime is often anchored by its ensemble, and Padre, patrón features a noteworthy lineup led by Juanjo Puigcorbé. Supported by the likes of Valeria Marini and Jean Benguigui, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Juanjo Puigcorbé, Valeria Marini, Jean Benguigui manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1999 cinema, these performances stand as a testament to the evolving standards of acting within the Crime space.
From a technical perspective, Padre, patrón is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Padre, patrón follows a sophisticated brisk pace. Over its 90 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Padre, patrón resonates with contemporary social and cultural themes prevalent in the Crime landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Padre, patrón is more than just its synopsis. It is an inquiry into the boundaries of human experience. Mister Joaquim Pelletier and his wife request the services of the private detective Pepe Carvalho to find the murderer of their only son, Mariano. As the investigations progress, Pepe finds out that Mariano was not such a model son as his father thought. He had a double life: a banker at daytime, a thug at night; he was cooperating with Jesús Arquimedes, the boss of the underworld, by doing illegal works for him. But Mariano had decided to betray Arquímedes, embezzling $500 000 of the money he was laundering in Bank Pelletier, to start a new life in the USA. Arquímedes puts pressure on Carvalho to find his money. Surprisingly enough for the detective, the guilty one is not Arquímedes, but the father of Mariano. Mister Jaoquim had a passionate relationship with his son since childhood, he wanted to mold his son as he had always dreamed, and never admitted that Mariano was someone different and a rebel who wanted to run away from Barcelona for ever.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Padre, patrón (1999) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Crime categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Juanjo Puigcorbé, Valeria Marini, Jean Benguigui or the visual majesty of its technical execution, Padre, patrón is a significant contribution to the cinema of 1999. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Padre, patrón stands as a challenging project for the creators. It remains an essential piece of the 1999 cinematic year.
Padre, patrón is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Padre, patrón may not be worth watching unless you are a die-hard fan.
Padre, patrón may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Mister Joaquim Pelletier and his wife request the services of the private detective Pepe Carvalho to find the murderer of their only son, Mariano. As the investigations progress, Pepe finds out that Mariano was not such a model son as his father thought. He had a double life: a banker at daytime, a thug at night; he was cooperating with Jesús Arquimedes, the boss of the underworld, by doing illegal works for him. But Mariano had decided to betray Arquímedes, embezzling $500 000 of the money he was laundering in Bank Pelletier, to start a new life in the USA. Arquímedes puts pressure on Carvalho to find his money. Surprisingly enough for the detective, the guilty one is not Arquímedes, but the father of Mariano. Mister Jaoquim had a passionate relationship with his son since childhood, he wanted to mold his son as he had always dreamed, and never admitted that Mariano was someone different and a rebel who wanted to run away from Barcelona for ever.