Is Passage Worth Watching?
Answer: Maybe not, Passage is likely a skip if you enjoy History movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Passage is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the History, Documentary, Drama genre.
Answer: Maybe not, Passage is likely a skip if you enjoy History movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2008, Passage emerges as a significant entry in the History, Documentary, Drama domain. The narrative core of the film focuses on a sophisticated exploration of With a unique blend of dramatic action and behind-the-scenes documentary footage, filmmaker John Walker shares the multi-layered story of British explorer Sir John Franklin and his crew of 128 men, who perished in the Arctic ice during an ill-fated attempt to discover the Northwest Passage, and John Rae, the Scottish doctor who in 1851, discovered their dismal fate. Unlike standard genre fare, Passage attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of John Walker, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the History elements serve the larger narrative arc rather than just providing spectacle.
The success of any History is often anchored by its ensemble, and Passage features a noteworthy lineup led by Rick Roberts. Supported by the likes of Geraldine Alexander and David Acton, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Rick Roberts, Geraldine Alexander, David Acton manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2008 cinema, these performances stand as a testament to the evolving standards of acting within the History, Documentary, Drama space.
From a technical perspective, Passage is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Passage follows a sophisticated brisk pace. Over its 90 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Passage resonates with contemporary social and cultural themes prevalent in the History landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Passage is more than just its synopsis. It is an inquiry into the boundaries of human experience. With a unique blend of dramatic action and behind-the-scenes documentary footage, filmmaker John Walker shares the multi-layered story of British explorer Sir John Franklin and his crew of 128 men, who perished in the Arctic ice during an ill-fated attempt to discover the Northwest Passage, and John Rae, the Scottish doctor who in 1851, discovered their dismal fate. Rae's dark report, which described the crew’s madness and cannibalism, did not sit well with Sir John's widow, Lady Franklin, nor with many others in British society, including Charles Dickens. They waged a bitter public campaign to discredit Rae's version of events and mark an entire nation of northern Inuit with the label of murderous cannibals. A stunning face-to-face meeting between the great-great grandson of Charles Dickens and Tagak Curley, an honoured Inuit statesman who challenges the fraudulent history, vaults the story from the past into the present and we are witness to history in the making.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Passage (2008) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the History, Documentary, Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Rick Roberts, Geraldine Alexander, David Acton or the visual majesty of its technical execution, Passage is a significant contribution to the cinema of 2008. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Passage stands as a challenging project for the creators. It remains an essential piece of the 2008 cinematic year.
Passage is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Passage may not be worth watching unless you are a die-hard fan.
Passage may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
With a unique blend of dramatic action and behind-the-scenes documentary footage, filmmaker John Walker shares the multi-layered story of British explorer Sir John Franklin and his crew of 128 men, who perished in the Arctic ice during an ill-fated attempt to discover the Northwest Passage, and John Rae, the Scottish doctor who in 1851, discovered their dismal fate. Rae's dark report, which described the crew’s madness and cannibalism, did not sit well with Sir John's widow, Lady Franklin, nor with many others in British society, including Charles Dickens. They waged a bitter public campaign to discredit Rae's version of events and mark an entire nation of northern Inuit with the label of murderous cannibals. A stunning face-to-face meeting between the great-great grandson of Charles Dickens and Tagak Curley, an honoured Inuit statesman who challenges the fraudulent history, vaults the story from the past into the present and we are witness to history in the making.