Pecado sem Nome (1978) movie backdrop
Pecado sem Nome (1978) movie poster
⭐ Rating0/10
🎯 Verdict FLOP
👍 Good
  • Engaging Storyline
  • Strong Performances
👎 Bad
  • Pacing issues in mid
  • Predictable ending
197887 minDrama, Crime
Audience VerdictFLOP

Pecado sem Nome

Pecado sem Nome Movie Hit or Flop?

FLOP

Verdict:Pecado sem Nome is a confirmed FLOP based on our analysis of audience ratings and box office momentum.

With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama, Crime genre.

Is Pecado sem Nome Worth Watching?

Answer: Maybe not, Pecado sem Nome is likely a skip if you enjoy Drama movies.

It features a runtime of 87 minutes and offers a standard storyline that appeals to mature audiences.

0.00 votes
87Minutes
1978Release Year
Visual Story
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Pecado sem Nome Review

Last updated: January 13, 2026

🎬 Detailed Premise & Narrative Foundations

Released in the dynamic cinematic landscape of 1978, Pecado sem Nome emerges as a significant entry in the Drama, Crime domain. The narrative core of the film focuses on a sophisticated exploration of Upon arriving at the building where he works, Pedro finds the janitor, Hilário Garcia, dead inside one of the elevators. Unlike standard genre fare, Pecado sem Nome attempts to deconstruct traditional tropes, offering a conventional take on its central themes.

The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Juan Siringo, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.

🎭 Cast Performances: A Masterclass in Character Study

The success of any Drama is often anchored by its ensemble, and Pecado sem Nome features a noteworthy lineup led by Raul Cortez. Supported by the likes of Iara Marques and Sandra Barsotti, the performances bring a palpable realism to the scripted words.

Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Raul Cortez, Iara Marques, Sandra Barsotti manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1978 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Crime space.

🎥 Directorial Vision & Technical Craftsmanship

From a technical perspective, Pecado sem Nome is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.

Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.

📜 Narrative Pacing & Structural Integrity

The structure of Pecado sem Nome follows a sophisticated brisk pace. Over its 87 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.

Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.

🌍 Cultural Impact & Global Resonance

Beyond its immediate entertainment value, Pecado sem Nome resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.

This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.

📖 Plot Breakdown & Philosophical Subtext

Analyzing the plot deeper, Pecado sem Nome is more than just its synopsis. It is an inquiry into the complexity of relationships. Upon arriving at the building where he works, Pedro finds the janitor, Hilário Garcia, dead inside one of the elevators. Inspector Canovas, in charge of the case, discovered that Hilário was Portuguese, widowed, with an only child living in the United States. Several suspicious people are detained and interrogated and, during the investigation, a guard and a girl are killed. With the help of the North American police, Inspector Canovas discovers that Hilário's son, Antônio and his wife Vanda, had already returned to Brazil. The two are located in São Paulo and detained for investigation. At the police, Antônio confesses to Carlos, his brother-in-law, that he was responsible for his father's death. Based on these statements, Canovas concludes that the caretaker was murdered because he discovered that his son and brother-in-law made a living from various suspicious businesses and were acting outside the law.

The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.

💡 Final Verdict: Is it Worth Watching?

In summary, our editorial assessment of Pecado sem Nome (1978) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama, Crime categories, it stands as a highly recommended experience for genre enthusiasts.

Whether you choose to experience it for the stellar performances from Raul Cortez, Iara Marques, Sandra Barsotti or the visual majesty of its technical execution, Pecado sem Nome is a significant contribution to the cinema of 1978. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.

Parents Guide & Age Rating

Not Rated
Pecado sem Nome has not been officially rated yet. However, due to its genre classification (Drama, Crime), viewers should expect mature themes, violence.

Final Verdict

Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Pecado sem Nome stands as a challenging project for the creators. It remains an essential piece of the 1978 cinematic year.

Frequently Asked Questions

Is Pecado sem Nome movie hit or flop?

Pecado sem Nome is considered a flop based on audience ratings of 0/10 and lower collections.

Is Pecado sem Nome worth watching?

Based on the low rating of 0/10, Pecado sem Nome may not be worth watching unless you are a die-hard fan.

Where can I watch Pecado sem Nome online?

Pecado sem Nome may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.

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Expert Consensus
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MOVIEMX
★ 0.0
Pecado sem Nome
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Synopsis

Upon arriving at the building where he works, Pedro finds the janitor, Hilário Garcia, dead inside one of the elevators. Inspector Canovas, in charge of the case, discovered that Hilário was Portuguese, widowed, with an only child living in the United States. Several suspicious people are detained and interrogated and, during the investigation, a guard and a girl are killed. With the help of the North American police, Inspector Canovas discovers that Hilário's son, Antônio and his wife Vanda, had already returned to Brazil. The two are located in São Paulo and detained for investigation. At the police, Antônio confesses to Carlos, his brother-in-law, that he was responsible for his father's death. Based on these statements, Canovas concludes that the caretaker was murdered because he discovered that his son and brother-in-law made a living from various suspicious businesses and were acting outside the law.