What Happens at the End of Platée (Palais Garnier)?

Jean-Philippe Rameau’s Platée is a masterpiece of the French operatic repertoire and was highly regarded by critics during the composer’s lifetime. Composed for the marriage of the Dauphin Louis, son of Louis XV, to the Infanta Maria Teresa of Spain, it was first performed at Versailles in 1745 and became an instant hit. The plot revolves around the ugly and conceited frog Platée, the victim of a machination of the gods who make her believe that she is loved by Jupiter. Is this Rameau mocking Princess Maria Teresa of Spain – reputedly a woman of little beauty? Or the French court, which saw itself as a new Olympus? This classic production from the Opéra national de Paris by Marc Minkowski and Laurent Pelly returns to the stage with an entirely new cast, featuring Julie Fuchs, Mathias Vidal, Jean Teitgen and Lawrence Brownlee in the title-role.

François-René Martin's narrative builds toward a resolution centered on Lawrence Brownlee's journey. Composed for the marriage of the Dauphin Louis, son of Louis XV, to the Infanta Maria Teresa of Spain, it was first performed at Versailles in 1745 and became an instant hit.

How Does Lawrence Brownlee's Story End?

• Lawrence Brownlee: Lawrence Brownlee's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
• Julie Fuchs: Julie Fuchs's role in the climax proves pivotal to how the central conflict resolves.
• Mathias Vidal: Mathias Vidal's character undergoes a significant shift in the final act.

What Does the Ending of Platée (Palais Garnier) Mean?

The ending of Platée (Palais Garnier) brings the narrative to a close, though viewer reception has been mixed. The resolution of Lawrence Brownlee's story may not satisfy all audiences.