Is Poor Things Worth Watching?
Answer: Maybe not, Poor Things is likely a skip if you enjoy Thriller movies.
It features a runtime of 18 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Poor Things is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Thriller genre.
Answer: Maybe not, Poor Things is likely a skip if you enjoy Thriller movies.
It features a runtime of 18 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2019, Poor Things emerges as a significant entry in the Thriller domain. The narrative core of the film focuses on a sophisticated exploration of One day, Ronja notices that she is being followed by an unknown woman. Unlike standard genre fare, Poor Things attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Joachim Morre, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Thriller elements serve the larger narrative arc rather than just providing spectacle.
The success of any Thriller is often anchored by its ensemble, and Poor Things features a noteworthy lineup led by Rosalinde Mynster. Supported by the likes of Mathias Rahbæk and Ellen Hillingsø, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Rosalinde Mynster, Mathias Rahbæk, Ellen Hillingsø manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2019 cinema, these performances stand as a testament to the evolving standards of acting within the Thriller space.
From a technical perspective, Poor Things is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Poor Things follows a sophisticated brisk pace. Over its 18 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Poor Things resonates with contemporary social and cultural themes prevalent in the Thriller landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Poor Things is more than just its synopsis. It is an inquiry into the boundaries of human experience. One day, Ronja notices that she is being followed by an unknown woman. The experience sparks her interest, and she is instantly drawn towards the mystery surrounding the stranger and her actions. Being watched so closely cannot but make one feel special. To her regret, she is not the only one being followed by the woman.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Poor Things (2019) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Thriller categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Rosalinde Mynster, Mathias Rahbæk, Ellen Hillingsø or the visual majesty of its technical execution, Poor Things is a significant contribution to the cinema of 2019. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Poor Things stands as a challenging project for the creators. It remains an essential piece of the 2019 cinematic year.
Poor Things is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Poor Things may not be worth watching unless you are a die-hard fan.
Poor Things may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
One day, Ronja notices that she is being followed by an unknown woman. The experience sparks her interest, and she is instantly drawn towards the mystery surrounding the stranger and her actions. Being watched so closely cannot but make one feel special. To her regret, she is not the only one being followed by the woman.