Is Prénom: Mathieu Worth Watching?
Answer: Maybe not, Prénom: Mathieu is likely a skip if you enjoy Crime movies.
It features a runtime of 60 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Prénom: Mathieu is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.1/10, it has delivered a mixed experience for fans of the Crime, Drama genre.
Answer: Maybe not, Prénom: Mathieu is likely a skip if you enjoy Crime movies.
It features a runtime of 60 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2018, Prénom: Mathieu emerges as a significant entry in the Crime, Drama domain. The narrative core of the film focuses on a sophisticated exploration of Seventeen-year-old Mathieu Reymond lies brutally battered and raped in a field of reeds. Unlike standard genre fare, Prénom: Mathieu attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Lionel Baier, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Crime elements serve the larger narrative arc rather than just providing spectacle.
The success of any Crime is often anchored by its ensemble, and Prénom: Mathieu features a noteworthy lineup led by Maxime Gorbatchevsky. Supported by the likes of Michel Vuillermoz and Ursina Lardi, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Maxime Gorbatchevsky, Michel Vuillermoz, Ursina Lardi manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2018 cinema, these performances stand as a testament to the evolving standards of acting within the Crime, Drama space.
From a technical perspective, Prénom: Mathieu is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Prénom: Mathieu follows a sophisticated brisk pace. Over its 60 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Prénom: Mathieu resonates with contemporary social and cultural themes prevalent in the Crime landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.1/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Prénom: Mathieu is more than just its synopsis. It is an inquiry into the boundaries of human experience. Seventeen-year-old Mathieu Reymond lies brutally battered and raped in a field of reeds. It is only after his release from hospital that the memories come back, unannounced and fragmentary, but still so precise that regular meetings with two police officers not only allow the perpetrator’s identikit image to take shape, but also the chronology of the crime itself.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Prénom: Mathieu (2018) is overwhelmingly divisive. With an audience rating of 5.1/10 and strong performance metrics in the Crime, Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Maxime Gorbatchevsky, Michel Vuillermoz, Ursina Lardi or the visual majesty of its technical execution, Prénom: Mathieu is a significant contribution to the cinema of 2018. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 5.1/10, and global collection metrics, Prénom: Mathieu stands as a challenging project for the creators. It remains an essential piece of the 2018 cinematic year.
Prénom: Mathieu has received mixed reviews with a 5.1/10 rating, making it a moderate success with the audience.
Prénom: Mathieu is a mixed bag. It might be worth watching if you're a fan of Crime, Drama movies, but read reviews first.
Prénom: Mathieu may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Seventeen-year-old Mathieu Reymond lies brutally battered and raped in a field of reeds. It is only after his release from hospital that the memories come back, unannounced and fragmentary, but still so precise that regular meetings with two police officers not only allow the perpetrator’s identikit image to take shape, but also the chronology of the crime itself.