Is Purgatoryo Worth Watching?
Answer: Maybe not, Purgatoryo is likely a skip if you enjoy Drama movies.
It features a runtime of 85 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Purgatoryo is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 3.4/10, it has delivered a mixed experience for fans of the Drama, Crime, Horror genre.
Answer: Maybe not, Purgatoryo is likely a skip if you enjoy Drama movies.
It features a runtime of 85 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2016, Purgatoryo emerges as a significant entry in the Drama, Crime, Horror domain. The narrative core of the film focuses on a sophisticated exploration of A story of Ilyong, recently-dead man killed by the police, after he was caught stealing. Unlike standard genre fare, Purgatoryo attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Derick Cabrido, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Purgatoryo features a noteworthy lineup led by Bernardo Bernardo. Supported by the likes of Jess Mendoza and Arnold Reyes, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Bernardo Bernardo, Jess Mendoza, Arnold Reyes manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2016 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Crime, Horror space.
From a technical perspective, Purgatoryo is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Purgatoryo follows a sophisticated brisk pace. Over its 85 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Purgatoryo resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 3.4/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Purgatoryo is more than just its synopsis. It is an inquiry into the complexity of relationships. A story of Ilyong, recently-dead man killed by the police, after he was caught stealing. This is the beginning of his story, his death. Soon after, he was brought into a sleazy funeral home, run by Violet, a greedy homosexual who has learned to survive by renting out the dead bodies in his funeral home to Simon. Along for the ride is Jojo, a police officer who is under the payroll of Simon and who supplies the dead bodies for Violet to take care of and make money from. Violet has two workers, On-on and Dyograd.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Purgatoryo (2016) is overwhelmingly negative. With an audience rating of 3.4/10 and strong performance metrics in the Drama, Crime, Horror categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Bernardo Bernardo, Jess Mendoza, Arnold Reyes or the visual majesty of its technical execution, Purgatoryo is a significant contribution to the cinema of 2016. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
SF Anytime
SF AnytimeAnalyzing the audience sentiment, IMDb rating of 3.4/10, and global collection metrics, Purgatoryo stands as a challenging project for the creators. It remains an essential piece of the 2016 cinematic year.
Purgatoryo is considered a flop based on audience ratings of 3.4/10 and lower collections.
Based on the low rating of 3.4/10, Purgatoryo may not be worth watching unless you are a die-hard fan.
Purgatoryo may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
A story of Ilyong, recently-dead man killed by the police, after he was caught stealing. This is the beginning of his story, his death. Soon after, he was brought into a sleazy funeral home, run by Violet, a greedy homosexual who has learned to survive by renting out the dead bodies in his funeral home to Simon. Along for the ride is Jojo, a police officer who is under the payroll of Simon and who supplies the dead bodies for Violet to take care of and make money from. Violet has two workers, On-on and Dyograd.