Is Race Street Worth Watching?
Answer: Maybe not, Race Street is likely a skip if you enjoy Crime movies.
It features a runtime of 79 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Race Street is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.8/10, it has delivered a mixed experience for fans of the Crime, Drama genre.
Answer: Maybe not, Race Street is likely a skip if you enjoy Crime movies.
It features a runtime of 79 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 11, 2026
Released in 1948, Race Street enters the Crime genre with a narrative focused on A night club owner takes on the crooks who killed his best friend. Under the direction of Edwin L. Marin, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from George Raft. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, Race Street offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, Race Street resonates with current cultural themes in the Crime space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, Race Street is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of Race Street centers on a unique premise within the Crime landscape. A night club owner takes on the crooks who killed his best friend. The second act serves as a major turning point, leading to a climax that fans of 1948 cinema will find fairly predictable.
The ending of Race Street has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a Race Street sequel or a wider cinematic universe are already gaining traction.
Final verdict for Race Street (1948): with an audience rating of 5.8/10, the reception has been divisive. It is a recommended for fans of Crime, Drama cinema who appreciate attention to detail.
Analyzing the audience sentiment, IMDb rating of 5.8/10, and global collection metrics, Race Street stands as a challenging project for the creators. It remains an essential piece of the 1948 cinematic year.
Race Street has received mixed reviews with a 5.8/10 rating, making it a moderate success with the audience.
Race Street is a mixed bag. It might be worth watching if you're a fan of Crime, Drama movies, but read reviews first.
Race Street may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Race Street has received mixed reviews with a 5.8/10 rating, making it a moderate success with the audience.
Race Street is a mixed bag. It might be worth watching if you're a fan of Crime, Drama movies, but read reviews first.
Race Street may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Race Street is a Crime, Drama movie that follows: A night club owner takes on the crooks who killed his best friend....
Race Street falls under Crime, Drama, which often contain intense scenes. Parental discretion is advised.
Race Street is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
A night club owner takes on the crooks who killed his best friend.
"Stay with it" Race Street, directed by Edwin L. Marin and adapted to screenplay by Martin Rackin from a story by Maurice Davis. Starring George Raft, William Bendix, Marilyn Maxwell, Frank Faylen, Gale Robbins and Harry Morgan. Music is by Roy Webb and cinematography by J. Roy Hunt. Story centers around two friends played by Raft and Bendix, the former is a turf accountant and night club owner, the latter a plain clothes policeman. With a syndicate racket moving in on the Frisco bookmaking circuit, Dan Gannin (Raft) refuses to co-operate, putting himself in grave danger. Barney Runson (Bendix) wants to move in and do it the official way, begging Dan to step aside and let the police do their job. But when the syndicate make a deadly move that hits Dan close to home, he's not for turning. In the grand scheme of Raft and Bendix movies, or classic era film noir pics in fact, this one is small fry, but strong cast and solid production foundation ensure it's an enjoyable experience. Story isn't strong, where two old friends lock horns while some villain throws his weight around, but in true noir fashion there's some sneaky surprises in store and a none cop out finale. Technically it's interesting, one quite dreadful process backed sequence aside, Marin and Hunt hit the noir bars for mood compliance. The absence of chiaroscuro is a shame, for a number of scenes here cry out for it, but the lighting techniques and shadow indulgence keeps the eyes pleased. There's even a startling sequence that appears to show Gale Robbins floating in and around the night club crowd as she sings a song, while a bit of zoom play and nifty Frisco locations add further quality. Good honest noirville enjoyment. 6.5/10
This is a superior crime noir let down by a most nondescript title! Harry Morgan ("Hal") is found at the bottom of a flight of stairs - George Raft ("Gannin") and detective "Barney" (William Bendix) know his death is a bit fishy, and decide to investigate (separately!). Soon it transpires that the former is involved in dodgy bookmaking, as was the deceased, and that someone is trying to muscle in on their business. Raft is good as he tries to avenge his dead friend, never quite sure to trust, as are femme fatale Marilyn Maxwell as "Robbie" and Gale Robbins as his sister "Elaine" who sings a couple of quite decent numbers too. It's quite a tense short feature with plenty of darkly lit scenes and a tight dialogue to keep the suspense going until, I have to say, a rather silly ending. Well worth a watch, though.