Is Rainbow War Worth Watching?
Answer: Yes, Rainbow War is definitely worth watching if you enjoy Adventure movies.
It features a runtime of 20 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Rainbow War is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.8/10, it has delivered a mixed experience for fans of the Adventure genre.
Answer: Yes, Rainbow War is definitely worth watching if you enjoy Adventure movies.
It features a runtime of 20 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1985, Rainbow War emerges as a significant entry in the Adventure domain. The narrative core of the film focuses on a sophisticated exploration of Three kingdoms, floating separately in space, can each see the other nearby kingdoms but have no means to communicate or visit. Unlike standard genre fare, Rainbow War attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Bob Rogers, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Adventure elements serve the larger narrative arc rather than just providing spectacle.
The success of any Adventure is often anchored by its ensemble, and Rainbow War features a noteworthy lineup led by Saffron Henderson. Supported by the likes of Gillian Barber and Jonathon Pallone, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Saffron Henderson, Gillian Barber, Jonathon Pallone manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1985 cinema, these performances stand as a testament to the evolving standards of acting within the Adventure space.
From a technical perspective, Rainbow War is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Rainbow War follows a sophisticated brisk pace. Over its 20 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Rainbow War resonates with contemporary social and cultural themes prevalent in the Adventure landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 6.8/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Rainbow War is more than just its synopsis. It is an inquiry into the boundaries of human experience. Three kingdoms, floating separately in space, can each see the other nearby kingdoms but have no means to communicate or visit. Each has developed a fanatical obsession for a specific color for clothing, architecture, and even plant life: one blue, one red, one golden. A forbidden inter-kingdom romance and a war of conquest ensues when a means of travel between the kingdoms is abruptly found. This short film was created for Expo 86, the World Fair in Vancouver in 1986.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Rainbow War (1985) is overwhelmingly generally positive. With an audience rating of 6.8/10 and strong performance metrics in the Adventure categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Saffron Henderson, Gillian Barber, Jonathon Pallone or the visual majesty of its technical execution, Rainbow War is a significant contribution to the cinema of 1985. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 6.8/10, and global collection metrics, Rainbow War stands as a successful venture for the creators. It remains an essential piece of the 1985 cinematic year.
Rainbow War has received mixed reviews with a 6.8/10 rating, making it a moderate success with the audience.
Rainbow War is a mixed bag. It might be worth watching if you're a fan of Adventure movies, but read reviews first.
Rainbow War may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Three kingdoms, floating separately in space, can each see the other nearby kingdoms but have no means to communicate or visit. Each has developed a fanatical obsession for a specific color for clothing, architecture, and even plant life: one blue, one red, one golden. A forbidden inter-kingdom romance and a war of conquest ensues when a means of travel between the kingdoms is abruptly found. This short film was created for Expo 86, the World Fair in Vancouver in 1986.