Is Red All Over Worth Watching?
Answer: Maybe not, Red All Over is likely a skip if you enjoy Thriller movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Red All Over is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Thriller, Crime genre.
Answer: Maybe not, Red All Over is likely a skip if you enjoy Thriller movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2019, Red All Over emerges as a significant entry in the Thriller, Crime domain. The narrative core of the film focuses on a sophisticated exploration of A stark observation into both sides of an often untold story of gun violence, bullying and life. Unlike standard genre fare, Red All Over attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of John Wayne S. III, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Thriller elements serve the larger narrative arc rather than just providing spectacle.
The success of any Thriller is often anchored by its ensemble, and Red All Over features a noteworthy lineup led by Victor Love. Supported by the likes of Donna Biscoe and Aaron Harris, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Victor Love, Donna Biscoe, Aaron Harris manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2019 cinema, these performances stand as a testament to the evolving standards of acting within the Thriller, Crime space.
From a technical perspective, Red All Over is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Red All Over follows a sophisticated brisk pace. Over its 90 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Red All Over resonates with contemporary social and cultural themes prevalent in the Thriller landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Red All Over is more than just its synopsis. It is an inquiry into the boundaries of human experience. A stark observation into both sides of an often untold story of gun violence, bullying and life.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Red All Over (2019) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Thriller, Crime categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Victor Love, Donna Biscoe, Aaron Harris or the visual majesty of its technical execution, Red All Over is a significant contribution to the cinema of 2019. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
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Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Red All Over stands as a challenging project for the creators. It remains an essential piece of the 2019 cinematic year.
Red All Over is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Red All Over may not be worth watching unless you are a die-hard fan.
Red All Over is currently available for streaming on Peacock Premium. You can also check for it on platforms like Peacock Premium, Peacock Premium Plus depending on your region.
A stark observation into both sides of an often untold story of gun violence, bullying and life.