Is Relative Values Worth Watching?
Answer: Yes, Relative Values is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 87 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Relative Values is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.2/10, it has delivered a mixed experience for fans of the Comedy, Romance genre.
Answer: Yes, Relative Values is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 87 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 11, 2026
Released in 2000, Relative Values enters the Comedy genre with a narrative focused on A comedy of discriminating taste and dirty little secrets. Under the direction of Eric Styles, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Julie Andrews. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, Relative Values offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, Relative Values resonates with current cultural themes in the Comedy space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, Relative Values is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of Relative Values centers on a unique premise within the Comedy landscape. A comedy of discriminating taste and dirty little secrets. In 1952 England, Nigel, the Earl of Marshwood, woos Hollywood star Miranda, upsetting both Nigel's mother, Countess Felicity, and Miranda's former love fellow Hollywood star Don. Right before the engagement party at Marshwood, Moxie, the Countess's personal maid and best friend, reveals that Miranda is her estranged sister. Crestwell, the Countess's butler, devises a plan - but an inebriated Don's arrival at Marshwood to talk to Miranda causes all chaos to break loose. The second act serves as a major turning point, leading to a climax that fans of 2000 cinema will find fairly predictable.
The ending of Relative Values has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a Relative Values sequel or a wider cinematic universe are already gaining traction.
Final verdict for Relative Values (2000): with an audience rating of 6.2/10, the reception has been divisive. It is a recommended for fans of Comedy, Romance cinema who appreciate attention to detail.
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YouTubeAnalyzing the audience sentiment, IMDb rating of 6.2/10, and global collection metrics, Relative Values stands as a challenging project for the creators. It remains an essential piece of the 2000 cinematic year.
Relative Values has received mixed reviews with a 6.2/10 rating, making it a moderate success with the audience.
Relative Values is a mixed bag. It might be worth watching if you're a fan of Comedy, Romance movies, but read reviews first.
Relative Values may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Relative Values has received mixed reviews with a 6.2/10 rating, making it a moderate success with the audience.
Relative Values is a mixed bag. It might be worth watching if you're a fan of Comedy, Romance movies, but read reviews first.
Relative Values may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Relative Values is a Comedy, Romance movie that follows: A comedy of discriminating taste and dirty little secrets. In 1952 England, Nigel, the Earl of Marshwood, woos Hollywood star Miranda, upsetting both Nigel's mother, Countess Felicity, and Miranda's f...
Yes, Relative Values is generally suitable for family viewing as it is a Comedy, Romance movie.
Relative Values is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
A comedy of discriminating taste and dirty little secrets. In 1952 England, Nigel, the Earl of Marshwood, woos Hollywood star Miranda, upsetting both Nigel's mother, Countess Felicity, and Miranda's former love fellow Hollywood star Don. Right before the engagement party at Marshwood, Moxie, the Countess's personal maid and best friend, reveals that Miranda is her estranged sister. Crestwell, the Countess's butler, devises a plan - but an inebriated Don's arrival at Marshwood to talk to Miranda causes all chaos to break loose.
This probably isn't one of Noël Coward's better plays for me, but Eric Styles has managed to assemble a solid cast to make this adaptation just about watchable. Edward Atterton (Lord Marshwood) has fallen for Hollywood star "Miranda" (Jeanne Tripplehorn) who is, in turn, on the rebound from a relationship with her on-screen partner "Lucas" (William Baldwin). After their whirlwind romance on the Côte d'Azur they plan to return to his stately pile where his dowager countess mother "Felicity" (Dame Julie Andrews) is waiting to greet them. Now this woman is rather shrewd and egged on by her mischievous nephew "Peter" (Colin Firth) decides to let matters take their course... That plan is rather spiked by a surprise announcement from her long-term confidante "Moxie" (Sophie Thompson) that, coupled with the pursuing "Lucas", creates the template for quite an engaging, if one-dimensional, theatrical farce. Nobody is really challenged here, the plot delivers competent efforts from both cast and screenplay along lines that don't really provide much humour or originality, and that concludes very much as you might expect. It's well photographed (though not very well edited) and Dame Julie brings that certain star quality that we seldom see nowadays. I would probably have left this to the stage where I expect it would have worked better - on the silver screen it falls a bit flat.