Is Rosie Worth Watching?
Answer: Maybe not, Rosie is likely a skip if you enjoy Drama movies.
It features a runtime of 97 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Rosie is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.1/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, Rosie is likely a skip if you enjoy Drama movies.
It features a runtime of 97 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1998, Rosie emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of In a juvenile lockup, a new ward answers questions: she's Rosie, 13, no parents, a sister Irene, a brother Michel. Unlike standard genre fare, Rosie attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Patrice Toye, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Rosie features a noteworthy lineup led by Aranka Coppens. Supported by the likes of Dirk Roofthooft and Sara De Roo, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Aranka Coppens, Dirk Roofthooft, Sara De Roo manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1998 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Rosie is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Rosie follows a sophisticated brisk pace. Over its 97 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Rosie resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.1/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Rosie is more than just its synopsis. It is an inquiry into the complexity of relationships. In a juvenile lockup, a new ward answers questions: she's Rosie, 13, no parents, a sister Irene, a brother Michel. In flashbacks we find out what happened. She lives with Irene, who's 27, whom Rosie knows is in fact her mother, but that's their secret. Irene's brother Michel, unemployed, a compulsive gambler, comes to stay with them. Around then, Irene meets Bernard; they come to care for each other. This leaves Rosie without attention, so she puts all her adolescent hopes and romantic fantasies into a relationship with Jimi, a good looking kid she sees on a bus. Is it adventures with Jimi that land her in juvie? Once she's there, why doesn't he answer her letters?
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Rosie (1998) is overwhelmingly divisive. With an audience rating of 5.1/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Aranka Coppens, Dirk Roofthooft, Sara De Roo or the visual majesty of its technical execution, Rosie is a significant contribution to the cinema of 1998. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Sooner
SoonerAnalyzing the audience sentiment, IMDb rating of 5.1/10, and global collection metrics, Rosie stands as a challenging project for the creators. It remains an essential piece of the 1998 cinematic year.
Rosie has received mixed reviews with a 5.1/10 rating, making it a moderate success with the audience.
Rosie is a mixed bag. It might be worth watching if you're a fan of Drama movies, but read reviews first.
Rosie is currently available for streaming on Sooner. You can also check for it on platforms like Sooner depending on your region.
In a juvenile lockup, a new ward answers questions: she's Rosie, 13, no parents, a sister Irene, a brother Michel. In flashbacks we find out what happened. She lives with Irene, who's 27, whom Rosie knows is in fact her mother, but that's their secret. Irene's brother Michel, unemployed, a compulsive gambler, comes to stay with them. Around then, Irene meets Bernard; they come to care for each other. This leaves Rosie without attention, so she puts all her adolescent hopes and romantic fantasies into a relationship with Jimi, a good looking kid she sees on a bus. Is it adventures with Jimi that land her in juvie? Once she's there, why doesn't he answer her letters?